What the Riff Next Gen

Seattle based Alice in Chains may have been associated with the grunge music for which Seattle was famous at the time, but they departed from the standard grunge scene in many ways. Jar of Flies was actually an EP rather than a standard album, and so was shorter than the extended length albums that many groups were producing during the CD era.  While Alice in Chains had more of a heavy metal sound than many of their contemporaries, this album was their second acoustic EP.  It was also the first EP to ever debut at number one!
Alice in Chains featured Jerry Cantrell on guitars and vocals, Mike Inez on bass and vocals, Sean Kinney on percussion, and frontman Layne Staley on lead vocals.  Kinney and Cantrell formed the group in 1987 with Staley on vocals and original bassist Mike Starr.  Starr would leave the group in 1993 to be replaced by former Ozzy Osbourne bassist Mike Inez.
The band name came from a glam metal group also named “Alice in Chains” which Layne Staley had been in previously.  That group was defunct, so the name was resurrected.  The EP was supposed to simply be a few days' break after touring, but that break turned into over two weeks, and “Jar of Flies” was born. 
 
We hope you enjoy this presentation of WHAT THE RIFF?!? and note that Bruce was out this week, and Fan of the Show, Joel Nabors joins us in his place.
 
Nutshell
This second track from the EP was written by Cantrell, Inez, and Kinney.  The song was the opener when the band performed on MTV Unplugged in 1996.  The dark lyrics are thought to reflect frustration with fame.
I Stay Away
A departure from many of their pieces due to the use of strings, Staley wrote the lyrics after coming out of rehab.  A huge stadium tour was planned after the EP came out, but Staley had relapsed and they had to drop the tour.  This song was nominated for Best Hard Rock Performance Grammy in 1995. 
No Excuses
This is the big hit from the album that you’ll recognize.  Staley and Cantrell create a dissonant vocal duet in this track which also mirrors the dissonance in their relationship.  The song became the first Alice in Chains song to hit number 1 on Billboard's Mainstream Rock Tracks.  Surprisingly, it was not released as a single at the time.
Don't Follow
This deeper cut was penned by Cantrell, who begins on lead vocals, with Staley joining on harmony.  A softer track, this song also drops the percussion and adds a harmonica.  
 
ENTERTAINMENT TRACK:
“Bed of Roses” by The Indians (from the motion picture "Reality Bites")
The soundtrack to this movie overshadowed the movie itself.  Ben Stiller directed and starred in this comedy.
 
STAFF PICKS:
“Going, Going, Gone” by The Posies
Wayne's staff pick is also a deep cut from the soundtrack to "Reality BItes."  The Posies were also from Washington, as was Alice in Chains.  The song has a Smithereens feel, and is considered one of the Generation "un-hits."  The Posies played with Burt Bacharach for the movie "Ausin Powers: International Man of Mystery."
“Under the Same Sun” by the Scorpions
Rob brings us a softer, deeper cut from the Scorpions.  It has an unusual start with a sitar.  This is from their 12th studio album.  Believe it or not, the Scorpions started way back in 1964, and celebrated their 50th anniversary in 2015.  The song is about coming together as one.
“Pincushion” by ZZ Top
Joel Nabors' staff pick features a little ol' band from Texas.  This is off of “Antenna,” their 11th album and first with RCA.  This would be their last song to chart, and spent four weeks at number 1 on Billboard.  “I'm just a pincushion - do everything she ask.”
“Linger” by The Cranberries
Brian brings us an anthem of the 90's.  MTV put this alternative song into high rotation at the time.  Noel Hogan wrote the music, and the original lyrics were written by Niall Quinn, who was previously the lead singer for The Cranberries.  O'Riordan wrote her own lyrics about regret when she joined the group.
 
COMEDY TRACK:
“Whale and Wasp” by Alice in Chains
We finish off this week by going back to Jar of Flies with this instrumental track.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

While you may think of Motown when you first hear Wilson Pickett, this sound is neither from Detroit or its counterpart from Philadelphia.  This is from the deep south with the deep soul of the 2 M's - Memphis and Muscle Shoals.  The Exciting Wilson Pickett was Pickett's third studio album and firmly established his credentials as one of the leading lights of Soul music.    
Pickett grew up in Alabama, and like many soul singers at the time he got his start in church.  He had a contentious relationship with his mother who he described as "the baddest woman in my book."  Eventually he went to live with his father - and further honed his singing style - in Detroit.  
Many tracks on this album were recorded at Muscle Shoals with a backup band called The Swampers.  Lynyrd Skynyrd would cite them as they "were known to pick a song or two."  The Swampers would tour with Pickett and form an interracial act during a time when this was unusual..
Wilson Pickett was known by a number of names including "Wild Wilson" or "Wicked Pickett," and was known for his wild lifestyle.  He would have a number of difficulties with alcohol and cocaine over the decades, which would put him in trouble with relationships and the law.  Wilson Pickett was inducted into the Rock and Roll Hall of Fame in 1991.
Wilson Pickett died of a heart attack in 2006, just weeks shy of his 65th birthday.
 
 
The Land of 1,000 Dances
This song was a minor hit in 1963 for Chris, Kenner, but became a top 10 hit for Pickett.  While he doesn't name 1,000 dances (and the name of the song never appears in the lyrics), he does name 16 including the Pony, The Mashed Potato, and The Twist.  You may remember this song from the movie "Forrest Gump."
Barefootin'
The second track featured in today's podcast is also a remake (originally recorded by Robert Parker), with a faster tempo than the original.  Check out that horn section by The Swampers.
99-1/2 Won't Do
This is a slower track based off a gospel track transitioned to a love song.  "I got to have all your love, night and day.  Not just a little part, but all of your heart, sugar, Ninety-nine and a half just won't do."
In the Midnight Hour
This is a signature song he co-wrote, and also connects with gospel songs - I may meet Jesus soon in the morning, maybe in the midnight hour.  This song was selected for preservation in the National Recording Registry by the Library of Congress for being "culturally, historically, or artistically significant."
 
ENTERTAINMENT TRACK:
Theme from the television series “Gilligan's Island”
This comedy was current in 1966, but we all remember this from reruns on afternoon TV after school.
 
STAFF PICKS:
“Over Under Sideways Down” by The Yardbirds
Bruce brings us a song inspired by Rock Around the Clock by Haley and the Comets.  It came out as a single in May 1966, and was on the charts at the time.  That's Jeff Beck on the lead guitar, and he also plays bass on this track as well.
“Sunny Afternoon” by The Kinks
Rob's staff pick made it to #14 on the Billboard charts.  Brothers Ray and Dave Davies formed The Kinks in 1964, and Ray Davies wrote this song.  It is about the massive taxes that the British Labour party was pushing out under Harold Wilson.
“You Don't Have to Say You Love Me” by Dusty Springfield
Brian's staff pick features his favorite female vocalist from the 1960's.  Springfield heard this tune originally in Italian, and had new lyrics written for it.  She cried when she first heard this song with the new lyrics.  A number of artists covered this song, including Elvis Presley.
“Sweet Young Thing” by The Chocolate Watchband
Wayne features an American garage band from California, who sing about a Peeping Tom spotting his “sweet young thing” at a party.  Wayne found this group off a compilation album called  Nuggets:  Original Artyfacts from the First Psychedelic Era 1965-1968.
 
INSTRUMENTAL TRACK:
“Jeff's Boogie” by The Yardbirds
This instrumental from the B-side of “Over Under Sideways Down” wraps us up this week's podcast.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

By the time they released their seventh studio album, Out of the Blue,  British rock band E.L.O., also known as the Electric Light Orchestra was a successful machine for rock hits with a “Beatleseque Pop” sound.  The Beatles connection was not random, as guitarist and founding member Roy Wood wanted to introduce strings, violins, cellos, basses, horns and woodwinds to Rock music, and “pick up where the Beatles left off.”  ELO was formed by Wood on guitar, Bev Bevan on drums, and Jeff Lynne on  vocals and guitars.  Over time Lynne would become  synonymous with the group.  
Out of the Blue is a double album written by Jeff Lynne in less than a month.  He was staying in a chalet in the Swiss Alps and couldn't come up with any songs during several weeks of dreary weather.  One day the sun came out, and an incredible burst of creativity came upon Lynne as a result.  The album makes extensive use of strings, and also a vocoder to produce unusual sounds.  The album was accompanied by a tremendous special effects-laden stage show and tour.  
Jeff Lynne acquired the rights to the name Electric Light Orchestra from co-founder Bev Bevan in 1999, and tours as Jeff Lynne's ELO today.
Sit back and enjoy - “there ain't a cloud in sight!”
 
Turn to Stone
This track opens the album.  Jeff Lynne stated in a Rolling Stone interview that this is one of his most favorite songs — he loves the "shuffle beat."  It was the first singe from the album, and reached number 13 on the US Billboard chart.
Wild West Hero
This is a deeper cut from the album, with a softer, wistful sound and great harmonies.  Westerns were a popular genre when Lynne was growing up.  The band's cello player played the honky tonk piano.  Supposedly Jeff Lynne wrote this in 4 minutes.
Standin' in the Rain
Side three of the double album is subtitled “Concerto for a Rainy Day,” with four tracks about the weather.  This deeper cut leads off the concerto, and you can hear a vocoder about 30 seconds in, with a thunder crackle voicing the words "Concerto for a Rainy Day."
Mr. Blue Sky
This well known song is the final track from “Concerto for a Rainy Day,” at which point the sun comes out.  The major key and fast pace give this song an amazingly optimistic feel.  Rob wants this played at his funeral — “Never mind I’ll remember you this way.”  
 
ENTERTAINMENT TRACK:
“That's All Right” Elvis Presley
The last concert recorded by The King before his death was broadcast in this month.  Elvis had passed two months earlier in August 1977.
 
STAFF PICKS:
Brick House by The Commodores
Bruce's staff pick started as a jam originated by bassist Ronald LaPread.  Producer James Carmichael challenged the band to turn it into a song.  Band member William King brought it home and his wife, Shirley Hanna-King wrote the lyrics based off the expression “built like a brick $#@!-house.”  Drummer Walter “Clyde” Orange sings lead instead of their normal front man, Lionel Ritchie, because the band thought he had the right funky voice for it.
Strawberry Letter 23  by The Brothers Johnson
Brian keeps up the R&B flavor with this Quincy Jones' produced song.  It tells the story of the 23rd love letter between two lovers.
Whips and Furs   by The Vibrators
You can count on Wayne for a deeper punk cut.  He discovered this on a compilation album.  Good new-fashioned rock! 
Isn't It Time  by The Babys
Rob's staff pick was penned by Babys bass guitarist Jack Conrad and songwriter Ray Kennedy.  It is Kennedy's story about falling in love with a Mademoiselle.  The song alternates between a soft and hard rock sound, and the chorus goes back and forth between the left and right channels.  “I just can't find the answers to the questions that keep going through my mind, Hey Babe...isn't it time?”
 
INSTRUMENTAL TRACK:
The Iron Dream by Hawkwind
We finish off this week's podcast with a prog rock instrumental piece.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

This tenth studio album by The J. Geils Band would be a departure from their blues rock and mainstream pieces for which they were known in the 70's, and would be their most commercially successful.  Freeze Frame took The J. Geils Band from a regional band to international stardom. 
The band consisted of John (J.) Geils on guitar, Seth Justman on keyboards, Stephen Bladd on drums, Danny Klein on bass, Peter Wolf on lead vocals, and Richard Salwitz (aka Magic Dick) on harmonica, trumpet, and saxophone.  The album was arranged and produced by keyboardist Seth Justman, and all songs were either written or co-written by Justman.
Part funk, part new wave, Freeze Frame has the band teetering on the experimental edge.  Unfortunately the band would not be able to hold up.  Front man Peter Wolf left in 1983 because “they wanted to continue in a pop-techno way.  It wasn't my thing.” (per Wikipedia).  They would record one more album with Seth Justman on lead vocals, then disband in 1985.
There are a lot of hits off this album, and most of the songs will transport you back to a period in the early 80's where MTV was just beginning to “Take Off.”
Join us now before your blood runs cold, and your memory has just been sold!
 
Freeze Frame
Peter Wolf and Seth Justman wrote this one, and it is the lead song off the album.  A freeze frame is a still image taken from a video, and the song uses a number of photography and film terms to tell the story of an obsession with a girl.  “test trip, proof sheet love is hard to find.”
Rage in the Cage
This one was not released as a single, but it still got air play, and you may remember the driving harmonica jam.  It tells the story of a guy who gets laid off, feels trapped in his town, and only finds relief in his transistor radio.  “It don't take a PhD to know I'm goin' nowhere fast.  I've got to move - I'm on the move.  It don't take much to see this town is livin' in the past.  They all just seem to wanna tie me down.  Let me hear that radio!”
Flamethrower
This song was the B-side to “Freeze Frame.”  It didn't hit the top 40, but it made it to #25 on the R&B charts.  The song is about a woman who punches the clock in a blue collar job and cuts loose at night.
Centerfold
This is the big hit off the album, and the track that changed The J. Geils band seemingly overnight.  The bad had been a pretty big thing in Boston and Detroit, but they landed on the cover of Rolling Stone Magazine, and on an opening slot touring with The Rolling Stones after this song came out.
 
ENTERTAINMENT TRACK:
“Arthurs Theme” by Christopher Cross
Dudley Moore's comedy film “Arthur” was in the cinemas at this time.
 
STAFF PICKS:
“My Girl (Gone, Gone, Gone)” by Chilliwack
Rob brings us the first top 40 US  hit by a Canadian rock band named after the sixth largest city in British Columbia!  Front man and lead guitarist Bill Henderson said they took the name even though none of the band members were from that city.  They liked the way the name sounded like a First Nation word, which fit with the sound that the band was striving to achieve.
“Trouble” by Lindsey Buckingham
Brian's staff pick comes from the Fleetwood Mac guitarist and singer's debut solo album, "Law and Order."  Mick Fleetwood contributes to this album on the drums, though Buckingham decided to loop a handful of measures of the drums throughout the song.  Though it was a departure from Fleetwood Mac, you still have the feel of that group.  
“I'll Fall In Love Again” by Sammy Hagar
Wayne's staff pick features the Red Rocker after his Montrose days, and prior to his time in Van Halen.  This song chronicles a man moving on from a broken relationship.  "It's alright with me now, I'll get back up somehow.  And with a little luck, I'm bound to win - I'll fall in love again."
“Tora, Tora, Tora (Out with the Boys)” by Rod Stewart
Bruce finishes off our staff picks with this 6th single from Rod Stewart's eleventh studio album,“Tonight I'm Yours.” Stewart makes a return to rock after his departure to disco in the late 70's.  "I wanna talk about motorbikes, cars and things.  No sophistication or designer jeans.  I'm no angel, but I know what I like - a little rough and tumble on a Friday night."
 
COMEDY TRACK:
“Take Off” by Bob and Doug McKinsey
Geddy Lee lends his vocal talents to this track from SCTV's sketch comedians from the Great White North, played by Dave Thomas and Rick Moranis.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

English supergroup Bad Company continued their successful streak with their third studio album, Run with the Pack.  Frontman/guitarist/panist Paul Rodgers and drummer Simon Kirke came out of the band Free, guitarist/keyboardist Mick Ralph came out of Mott the Hoople, and bassist Boz Burrell was originally with King Crimson.  Paul Rodgers' voice is quite distinctive, and you can tell a “Bad Co.” song just from that voice.
The name of the group came from a book of Victorian morals.  It showed a picture depicting a child looking up at a ruffian leaning against a lamp post.  The caption under the picture read, “Beware of bad company.”  
The band would continue until 1982 when Paul Rodgers disbanded the group and left to join another supergroup, The Firm.  Bad Co. would reform in 1986 with new personnel, including new frontman Brian Howe (formerly vocalist for Ted Nugent).  Rodgers would return to the band in 1998 and Bad Co. would tour off and on until today.
Let's see what happens when we spend some time in Bad Company, shall we?
 
Live for the Music
Mick Ralphs wrote this track that leads off the album, and was released as a single, though it would be considered a deeper cut. “Live for the music you know you're gonna find a lot to ease my mind.”
Run with the Pack
The album takes its name from this song written by Paul Rodgers, which finishes off side 1.  It was also released as a single, and may be familiar to some, especially the introductory piano riff.  Rodgers was a primary songwriter for the group.  It finishes off with a long outro with a symphonic sound that may remind you of the Moody Blues.
Silver, Blue & Gold
Although this track may be the best known song on the album, it actually was not released as a single at the time.  It is a breakup song, but with a beautiful melody and an ultimately positive outlook.  “My rainbow is overdue.”  Paul Rodgers wrote this one, which leads off side 2.
Young Blood
This cover of The Coasters classic song hit the top 20.  It tells the tragic tale of a boy who meets a girl, then meets her father, who causes her to lose the girl.  “You'd better leave my daughter alone!”
 
ENTERTAINMENT TRACK:
The theme from the television series “The Bionic Woman” 
After a tragic parachute accident, tennis pro Jamie Sommers becomes The Bionic Woman following in the footsteps of her former boyfriend, Steve Austin
 
STAFF PICKS:
“Money Honey” by The Bay City Rollers
Wayne's staff pick features an early boy band from Scotland with their follow-up to "Saturday Night."  They got their name by throwing a dart at a map of the United States, and taking the name from Bay City, Michigan.  The dart landed on Arkansas first, but ...they felt that it wouldn’t work out with Kansas already in full swing!  
“Love Is the Drug” by Roxy Music
Rob brings us the lead single from Roxy Music's album Siren.  Bryan Ferry lends vocals to this song written by Andy Mackay.  The album cover features Jerry Hall as a blue mermaid (siren). “I say go, she say yes, dim the lights, you can guess the rest.”
“Something for Nothing” by Rush
Bruce's staff pick comes off Rush's concept album 2112.  It has a libertarian message, based off graffiti that Neil Peart spotted in Los Angeles that read "Freedom isn't for free."
“Fooled Around and Fell in Love” by Elvin Bishop
Brian rolls around to a soft rock hit from guitarist Elvin Bishop, featuring Mickey Thomas on vocals.  The song tells the story of a guy who wants to play the field, and accidentally falls in love.  Thomas would go on to join Jefferson Starship and have several hits as front man for that group.
 
COMEDY TRACK:
"Junk Food Junkie" by Larry Groce
The struggle is real, folks!  "But at night I'm a junk food junkie.  Good Lord, have pity on me!"
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Originally named The Farriss Brothers when they formed in 1977, brothers Andrew Farriss (keyboards and Founder), Jon Farriss (drums), and Tim Farriss (guitar) joined with bassist Garry Gary Beers, saxophonist/guitarist Kirk Pengilly, and front man Michael Hutchense not long after high school.  They took the name INXS at the suggestion of members of the band Midnight Oil, whom they were supporting at the time.  
Shabooh Shoobah is their third studio album, and the first to be released worldwide.  While it was released in October 1982, the rise of INXS can be tracked to their performance in the 1983 US Festival on “New Wave Day,” May 28th, 1983.  This is the day they made it into the US top 30 with “The One Thing.”  The unique name of the album comes from a rhythm sound in the song “Spy of Love.”
INXS was one of the many bands who made it big on MTV, largely on the photogenic appeal of Michael Hutchense.  Hutchense and Andrew Farriss met in high school when Farriss broke up a fight in which Hutchense was participating.  This album features the band in its “New Wave phase,” with lots of bold synthesizer and a killer sax.
We hope you enjoy this trip down memory lane from the early days of MTV.
 
Don't Change
This last track on the album has lots of energy, and sounds like a cooler version of A Flock of Seagulls.  The video shows the band singing in a commercial garage, and Andrew Farriss's keyboards are placed vertically on the wall.  MTV was very new, and bands were still working out their looks for the video age.
Spy of Love
This is a deeper cut off the album which has a Caribbean feel, with the keyboards reminiscent of a steel drum.  “I don't mind but what I say, Use that magic for better days.”
Golden Playpen
Another deep cut off the album, and this one reminds us of Athens band REM.  “Tossed  out of the golden playpen, Beating the drum of pain and pleasure.”
The One Thing
This track is the big hit from the album.  Rob says this is an iconic song from his high school days, one of his top 5 of all time.  This song was their first MTV Video.  Check out Kirk Pingilly on the sax, and the synthesizer work.  It is a positive, high energy, driving song.
 
ENTERTAINMENT TRACK:
“Parade of the Ewoks” by John Williams
We pay homage to the polarizing little creatures from Star Wars:  Return of the Jedi in this entertainment track.
 
STAFF PICKS:
Rainbow in the Dark by Ronnie James Dio
With his staff pick Wayne brings us - DIO!  This is the hit single from the album "Holy Diver."  Ronnie James Dio is a pure heavy metal vocalist - a heavy metal version of Neil Young.  Many believe this song is a reaction to his tumultuous days in the group Rainbow with Ritchie Blackmore.
Photograph  by Def Leppard
Bruce brings us the lead single off Pyromania, Def Leppard's third studio album.  Frontman Joe Elliott describes this song as about “something you can't ever get your hands on.”  This was their first hit single.  “So wild and free, so far from me.  You're all I want, my fantasy!”
Bang on the Drum   by Todd Rundgren
Brian's staff pick hearkens back to the days of 96 Rock in Atlanta, and their “5 o'Clock Whistle.”  Rundgren compares this song to “Happy Birthday,” since it is one that everyone knows — but few know the songwriter.  “And I get my sticks and go out to the shed and I pound on that drum like it was the boss's head.”
She's A Beauty  by The Tubes
Rob's pick features San Francisco based The Tubes.  Fee (John Waldo) Waybill is their lead singer, and wrote this song inspired by a kiosk outside a massage parlor in the red light district of San Francisco.  The kiosk was the size of a phone booth and had a sign that read “pay a dollar, talk to a naked girl.”  The song lyrics changed the sign to “talk to a pretty girl,” which was much more accessible to a wider audience!
 
COMEDY TRACK:
Galaxy Song by Monty Python
April 1983 was the month when Monty Python released their third feature film “The Meaning of Life,” and this was one of the songs from that movie. We hope you enjoy it!
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

There are debates galore about who is the best singer, guitarist, drummer, etc., in the Rock genre, but perhaps we can all agree that the greatest Rock flautist would be Ian Anderson.  The trio of Anderson (vocals, guitar, flute), Jeffrey Hammond (bass) and John Evan (keyboards, initially drums) began playing together in the 60's, and while only Anderson would be present from that original trio when the band Jethro Tull was formed in 1967, all three would be back together along with Martin Barre (guitar) and Clive Bunker (percussion) for their fourth studio album, Aqualung.  
The band took the name Jethro Tull by default.  They performed under a number of names, but were going by “Jethro Tull,” the name of an 18th century agriculturist, when a club manager decided he liked the group enough to invite them for a return engagement.
Aqualung would be the breakout album for the band and would become one of the top albums in Rock history.  They maintain their folk and blues roots, but would take a turn towards a more progressive direction here.  The album paints pictures of different people, culture, hypocrisy, and the disconnect between organized religion and true spirituality.  It is pro-God, and anti-religion.
We hope you enjoy this breakout prog-rock masterpiece.
 
Locomotive Breath
This song starts in a classic mode, but moves into a driving rock rhythm reminiscent of a train and with Anderson's distinctive flute.  It is one of the early back-to-nature songs, describing technology and markets as a runaway train destroying everything in its path
 
Hymn 43
Ian Anderson is the face, songwriter and creator of Jethro Tull.  This deeper cut reflects Anderson's spirituality.  The song is about people who use Jesus as a means to accomplish their goals.  "If Jesus saves, he'd better save himself."
 
Cross Eyed Mary
This is a better known song which starts with an introductory flute and moves into a stronger rock bent afterwards.  This track is a portrait of a schoolgirl prostitute who prefers older men to her classmates.  
 
Aqualung
The best known epic from the album describes the life and death of a homeless man.  There is a connection between this song and Cross Eyed Mary, as the line “eyeing little girls with bad intent” references Mary.  “Salvation a la mode, and a cup of tea.”  Aqualung refers to the way the homeless man breathes with a rattling breath as he dies.
 
ENTERTAINMENT TRACK:
Theme from the television series “The Beverly Hillbillies” 
by Lester Flatts & Earl Scruggs
After a 9-year run, this series that would become a feature of weekday afternoon reruns completed its time on the prime time networks during this month.
 
STAFF PICKS:
I Feel The Earth Move by Carole King
Bruce brings us the lead single from King's masterpiece “Tapestry,” which was released in February of 1971.  Singer-songwriter Carole King would win 4 Grammy's for Tapestry in 1972, including Album of the Year, and would eventually sell over 25 million copies worldwide. 
Free by Chicago
Rob brings us this funky, horn-led song from Chicago III, released in this month.  This was a double album, as were their first and second albums.  
Amos Moses by Jerry Reed
Brian's staff pick takes us down to the swamps of Louisiana courtesy of musical storyteller Jerry Reed.  Amos Moses was a one armed Cajun alligator poacher.  This ditty made it to number 8 on the charts.
Give It To Me by The Mob
Wayne takes us to the original Chicago horn section.  While more of a local group to Chicago and Las Vegas, The Mob inspired a number of horn-driven bands including Chicago.  They wrote a number of songs for other singers and groups.
 
INSTRUMENTAL TRACK:
Cool Aid by Paul Humphrey & His Cool Aid Chemists
This piece by jazz drummer Paul Humphrey made it to #29 on the hit list.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Back in 1976 Boston took the rock world by storm with their debut, and largely self-produced, album.  This highly anticipated second album made its appearance two years later, a span of time which would in retrospect be considered quite fast - no other Boston album would appear for eight years.  Don't Look Back was originally entitled "Arrival," until the band discovered that ABBA had already released an album with that name.  
Guitarist and producer Tom Scholz considered the album to be rushed out by the record label, and believed it was too short and needed another song.  This would begin a multi-year legal battle with Epic Records that would eventually be settled in Boston's favor, but it would also be “a long time” until their third album was released, by which time only Scholz and front man Brad Delp were the only original band members in the lineup.
The album was released in August and sold over four million copies in its first month, eventually being certified 7x platinum by the RIAA.  As with their first album, virtually every song will be familiar, as all received significant airplay on rock stations everywhere beyond the three singles released from the album.
Join us as we explore this iconic album and the events of September 1978.
 
Don't Look Back
This lead song is an iconic staple from the rock era.  It has a positive, future oriented feel to it.  It is the first song on the album and the first single released.  It was one of the most successful songs they released.  "I finally see the dawn arriving.  I see beyond the road I'm driving."  "The sun is shining, and I'm on that road."
The Journey
If it sounds like Don't Look Back is cut off on the radio before the song concludes, that's because there is no break on the album between it and The Journey.  This ethereal instrumental track transitions between the lead song and "It's Easy." Scholz considers this his favorite song, and wanted it to be longer on the album.
It's Easy
This is a deeper cut from the album, and was not released as a single at the time.  "It's easy taking it day by day."
A Man I'll Never Be
There's a big difference between Don't Look Back, the first single from the album, and A Man I'll Never Be, the second single.  This song is more pensive and less self-assured than the opening track, and presents a nice bookend to the first side of the album.  "If only I could find a way I'd feel like I'm the man you think I am.  And its getting harder every day for me to hide behind this dream you see a man I'll never be." 
 
ENTERTAINMENT TRACK:
Theme from “WKRP In Cincinnati”
Hugh Wilson created this comedy based upon his experience working at pop radio station WQXI in Atlanta.
 
STAFF PICKS:
She's Always A Woman  by Billy Joel
Bruce features the fourth single from Billy Joel's biggest hit album - The Stranger.  It was written for his wife Elizabeth Weber.  She had taken over management of Joel's career, and took a lot of grief from her adversaries in negotiation for being "unfeminine."  But Joel says here, "she's always a woman." She apparently got Joel's finances back on track.
Song on the Radio by Al Stewart
Wayne brings us a surprisingly chill staff pick.  This is from Al Stewart's eighth studio album, “Time Passages,” produced by Alan Parsons.  Wayne mentions that this is a cruising song on a hot summer night.  Stewart refers to his style as creating songs as cinema.
Life's Been Good   by Joe Walsh
Rob's staff pick is an autobiographical piece from Eagles alumnus Joe Walsh off his album “But Seriously, Folks.”  Like many of his songs, Walsh doesn't take himself too seriously in this song.  He had a house in Beverly Hills, but he was never there.  The line about “tearing out the walls,” references a real life incident in a hotel with Keith Moon.
Miss You  by The Rolling Stones
Brian finishes off our staff picks with a Rolling Stones piece from their disco days, though they referred to it as "R&B."  But Charlie Watts (drummer) embraced the disco setting.  Billy Preston was riffing on the bass guitar one evening after Bill Wyman had left for the day, and Mick Jagger encouraged Wyman to play in Preston's style.
 
LAUGH TRACK:
The Thanksgiving Episode from "WKRP in Cincinnati"
WKRP in Cincinnati came to an end in September, 1978, so for our Laugh Track we feature one of the most well-known episodes...  “As God as my witness, I thought turkeys could fly.”
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NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

This is the album that turned Fleetwood Mac into a household name.  Originally formed as a blues band in 1967, Fleetwood Mac had taken a turn to more pop-oriented music with their 10th and self-titled album in 1975.  This precursor to Rumors also saw the addition of Lindsey Buckingham and Stevie Nicks to the band after the departure of guitarist Bob Welch.  The band toured and promoted that album heavily and their work paid off.  But it would be this eleventh album, Rumors, which would solidify their fame.  The title was suggested by John McVie because he saw that the band members were writing about each other through the music.
The band was all the walking wounded at the time.  Drummer Mick Fleetwood was divorcing, bassist John McVie and keyboardist Christine McVie were separated, and vocalist/guitarist Lindsey Buckingham and vocalist Stevie Nicks were breaking up.  All this drama poured into their music.
While not every song was released as a single, virtually every song on the album is familiar based upon its rotation on FM radio.  There is a timelessness about Fleetwood Mac, and we mention in this podcast how their popularity crossed generations.
We hope you enjoy this exploration of one of the most successful albums of the 70's.
 
 
Don't Stop
This song was written by Christine McVie and is sung by Lindsey Buckingham and Christine McVie.  It was the third single released from the album.  It is an optimistic look at things after Christine's separation from John McVie to whom she was married for 8 years.  Christine McVie was a session keyboardist when Fleetwood Mac first formed, and married John shortly thereafter.  Bill Clinton used this music as his theme song during his 1992 Presidential campaign, and persuaded the group to reform and perform this song at his inaugural ball.
Dreams
The second single from the album would be the highest charting song, going to number 1.  Stevie Nicks wrote it, and handles lead vocals.  It is about all the drama the members were going through - divorce, separation, and break-ups.  The band was not all that impressed when they first heard it due to its simplicity in chord structure, but fortunately they decided to include it on the album after all.
Gold Dust Woman
Stevie Nicks also wrote and sang this track, which was not released as a single, but received attention at the B-side to “You Make Loving Fun.”  Nicks has described it as about Los Angeles, a bad relationship, and, perhaps most fameously, as a metaphor for cocaine.
The Chain
Clearly the heaviest track on the album, it is the only track on the album for which all five band members received songwriting credit.  This is another song in which the relationship struggles of the band are prominent.  It was a literal combination of older material, and the intro was spliced in from an old Buckingham Nicks song using a razor blade to cut and splice the tapes.  Stevie Nicks wrote most of the lyrics, and Buckingham sings lead.
 
ENTERTAINMENT TRACK:
Theme from “Sanford and Son” by Quincy Jones
The comedy series starring Redd Foxx came to an end in February 1977.
 
STAFF PICKS:
“Undercover Angel” by Alan O'Day
Wayne brings us the best known song by singer-songwriter Alan O'Day, who had written songs previously for Helen Reddy and The Righteous Brothers.  He also relays a tragedy in his life where he won a Charlie's Angels poster that was never delivered!
“The Things We Do For Love” by 10 cc
Brian's staff pick features great harmonies and a story about a guy walking in the rain to his girlfriend's house.  "like walking in the rain and the snow when there's nowhere to go, and you're feelin' like a part of you is dying."
“The First Cut is The Deepest” by Rod Stewart
Rob's staff pick was originally written by Cat Stevens; but this rendition is one of the better known, as sung by “Rod the Mod” Stewart. The Scottish-born singer was known for a high sense of fashion...and football (the soccer type).
“So Into You” by the Atlanta Rhythm Section
Bruce features the first single released of ARS's album "A Rock and Roll Alternative."  This was their biggest hit off the album, and would kick off several years of success for the band running through this and the next two albums.
 
INSTRUMENTAL TRACK:
“Nights Are Forever Without You” by Bob James
This instrumental take on the hit from England Dan and Jon Ford Coley is off jazz pianist Bob James' fourth album, BJ4, which was released in this month.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

If you want to see some grainy footage, this 100th Episode is also available on YouTube.  It’s a recorded Zoom call, with a few graphics and photos from the studio. 
Wayne discusses the genesis of the idea
When and how did the idea for the podcast come up?
Wayne's radio background and connections with guests for the show
How do we choose who to bring on the show?
How do we handle social media and promotions?
 
Bruce discusses research and blogging
How do we research for the show?
What websites are good for information about the music and musicians?
How do we decide what the show will focus on?
 
Brian discusses how we all came together
How did we end up doing this?
When do we record the episodes, and how long do they last?
What is your connection to the music?
 
Rob discusses the technical aspects of the podcast
What platform and equipment do we use?
How much time does it take to edit and upload the show?
How did we come up with the name?
Each of us discuss our favorite band, songs that are stuck in our heads, hobbies, day jobs, families, and other words of … wisdom?....
 
We are so grateful for our fans, and we appreciate you downloading this and the other shows. We are especially thankful for our friends who have been with us since episode #1, and we look forward to the next 100.  
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The debut studio album by Australian band Men at Work was released in April of 1982, but Business as Usual would steadily climb the charts through the year before peaking at the number 1 spot in November.  We thought September would be a good month in which to feature it.
Founding member Colin Hay on lead vocals and guitar, was joined by Greg Ham on flute, keyboards, saxophone, and some vocals, Ron Strykert on guitar and vocals, John Rees on bass and background vocals, and Jerry Speiser on drums and background vocals for this iteration.  As the band moved forward, Hay, Ham and Strykert would remain, then Hay and Ham when Strykert left in 1985.  After the death of Greg Ham in 2012, Colin Hay would revive the name in 2019, and tour with session musicians.  Through today, there have been 17 different iterations of Men at Work!
Business as Usual had a number of hits which would keep the band continually on pop stations throughout 1982 and 1983, including their biggest hit “Down Under,” which would introduce the world to the Australian peanut-butter-like spread, Vegemite.  It would also inspire a lawsuit, after it was determined that the flute parts bore a striking resemblance to the Aussie folk song, "Kookaburra," written in 1932.  The copyright, however, was still valid, and the band was forced to give up 5% of the royalties from 1982 through 2002.
Join us now as we feature a band that comes from the land down under! 
Who Can It Be Now?
This is the first single from the album, and was inspired by Colin Hay's experience living in an apartment complex shared with a number of “dealers.”  Folks would knock on his door at all hours of the night...leading to the questionable title of the song.  Greg Ham is a master on the saxophone on this piece.
Underground
Colin Hay wrote this deeper cut, though it got some air play at the time.  The story is built around conspiracy theories, and an underground that shelters the elite.  “There's no need for you to fight, boys, hang up all your guns.  Find your mask and as best as you can get ready to run.”
Be Good Johnny
Taking inspiration from Johnny B. Goode, this upbeat song finds Colin Hay playing the roll of Johnny's, mom, Johnny's dad, and Johnny himself.  Greg Ham handles the spoken lyrics in the middle of the song.  It's about a boy who gets in trouble for...daydreaming....
Helpless Automaton
Another deeper cut from the album, this has the true feel of an early 80's new wave song.  Greg Ham takes over lead vocal duties here.  Hay and Ham got their start in small clubs, — the size where folks on the front row would drop stuff into Ham's saxophone.  
 
ENTERTAINMENT TRACK:
“Without Us” (Theme from “Family Ties”
Here's where Michael J. Fox got his break, as Michael Keaton, “Young Republican” conservative child of former hippies, now turned average American family.
 
STAFF PICKS:
Somebody's Baby by Jackson Browne
Brian's staff pick is off the soundtrack from the film “Fast Times at Ridgemont High.”  Browne calls this song “an unabashed pop song,” and didn't include it on his studio albums.
Gypsy  by Fleetwood Mac
Bruce features a song that Stevie Nicks wrote when reminiscing about her days before fame, when she shopped at The Velvet Underground and slept on a mattress with no bed frame!  It is also inspired by her friend, Robin Snyder Anderson, who had died of leukemia.
I've Known No War   by The Who
Wayne takes up the tempo with a deep cut from The Who's album “It's Hard.”  The song tells a story set in the Cold War, where there would be no war, just bombs dropping and the world on fire.  Most people assumed at the time that instead of a war between the U.S. and the U.S.S.R., there would just be a quick annihilation.
Someday, Someway  by Marshall Crenshaw
Rob's pick gets happier with Crenshaw's top 40 hit from his debut album.  Crenshaw was also an actor, starring as Buddy Holly in “La Bamba,” and playing John Lennon in Beatlemania.   "Someday, someway, maybe I'll understand you."
 
COMEDY TRACK:
Valley Girl by Frank Zappa
This song was a huge hit during the day.  Frank Zappa's daughter, Moon Unit Zappa, voices the sound of the valley girl.  “Gag me with a spoon!  Bag your face!”
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

While they were a moderate regional success as a band with three studio albums, Kiss was most notable for their live performances.  They would not be vaulted into super-stardom until this breakthrough live album Alive! was released in September of 1975.  It peaked on the Billboard 200 album charts at number 9 in December of that year, and that's why we're featuring this album in this month.
Kiss is well known today not only because of their success as a band, but they also heavily marketed their brand in everything from movies to lunch boxes to a comic book (to which they famously contributed drops of their blood in the ink vat).  All members contributed to vocals, and instruments featured Paul Stanley on rhythm guitar, Ace Frehley on lead guitar, Gene Simmons on bass guitar, and Peter Criss on drums.  This double album relied on the catalog of songs from their first three studio albums, but the energy of the live show that was captured in this compilation is what drew the fans, and what kept it on the album charts for 110 weeks.
Of course, in addition to their performance, Kiss is known for their outlandish costumes and makeup, with Criss as the Catman, Stanley as Starchild, Frehley as the Spaceman, and Simmons as the Demon, they looked like something straight out of the pages of a comic book.  The band would maintain the makeup until the 80's, when they would go into an "unmasked" phase for a decade before returning to their classic over-the-top look.
“You wanted the best, you got the best, the hottest band in the land - Kiss!”
Deuce
This is the first song on side A, and Gene Simmons takes duties as the front man to lead off the album.  “Baby if you're feeling good, and baby if you're feeling nice, you know your man is workin' hard - He's worth a deuce.”  The track is also special to lead guitarist Ace Frehley, who auditioned for the group to this song.
Hotter than Hell
Never one for subtlety, this song is a tribute to a good looking woman.  The back story is that Paul Stanley was hitting on a lady, and he was rejected because she was married.  Paul Stanley is on lead vocals here, and he wrote the song as well.
Black Diamond
Paul Stanley start the song in the introduction, then Peter Criss takes on lead singing duties here.  The song was originally the closing track to their first studio album, and was often used to close their regular concert set with huge pyrotechnics and the Kiss theatrics that were the signature of the band.  
Let Me Go, Rock 'n' Roll
The concluding song on side D is also the only single released from their second studio album.  Written jointly by Gene Simmons and Paul Stanley, this song was the final song of the encore for their shows, and make sense to conclude this album as well.
ENTERTAINMENT TRACK:
Sky High by Jigsaw
This song was the main title from the film "The Man from Hong Kong," which was released this month.  You get the funk-disco feel that was prevalent at the time.
STAFF PICKS:
Have a Cigar by Pink Floyd
Bruce leads off the staff picks with this Rager Waters-penned screed against the hypocrisy of the music industry.  Interestingly, this was sung by Roy Harper, an English fok singer who was in the studio at the time, instead of either Waters or Gilmore.  This is one of our more frequent lyric quotes:  "The band is just fantastic, that is really what I think.  Oh, by the way, which one's Pink?"
Fox on the Run by Sweet
Rob brings us a song reworked from Sweet's European release.  After releasing it in 1974, the glam rock band created a more upbeat version for the U.S.  This song became a number 1 hit on iTunes in 2016 beacuse of its inclusion in “Guardians of the Galaxy.” 
My Little Town by Simon and Garfunkel
Brian's staff pick brings the reunion of Paul Simon and Art Garfunkel.  They broke up in 1970, but Simon wrote the song for Garfunkel as a critique of the small blue collar town Garfunkel grew up in.  They would perform together again in the third episode of Saturday Night Live.  This song appeared on both Paul Simon's and Art Garfunkel's solo studio albums.
Fire on the Mountain by The Marshall Tucker Band
Wayne takes us into the Southern Rock genre with this tragic song about a family moving from the Carolinas to California in the California Gold Rush.  “Now my widow she weeps by my grave, tears flow free for her man she couldn't save.  Shot down in cold blood by a gun that carried fame, all for a useless and no good worthless claim.”  It was written for the Charlie Daniel's Band, but it became one of The Marshall Tucker Band's bigger hits after CDB chose not to use it.
INSTRUMENTAL TRACK:
Fly, Robin, Fly by Silver Convention
While it technically include lyrics...this disco hit is close enough to an instrumental for our purposes.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The Eagles had been broken up for almost a decade, and it would be another 5 years before their reunion, but Don Henley was still a huge name in the music world.  The End of the Innocence, Henley's third solo studio album, would be a more reflective and less synthesizer-heavy album, and would be Henley's best selling album.
After the break-up of the Eagles, Henley put out “I Can't Stand Still” in 1982, from which the hit single Dirty Laundry would arise.  1984 would see the appearance of “Building the Perfect Beast,” from which the best remembered single would be the monster hit “Boys of Summer.” Henley had established himself as a successful solo artist through these albums.
So, Don Henley had a celebrity status by the end of the 80's, and he would collaborate with many musicians across diverse genres in making this album.  The result would cover lots of territory, from the rocking sounds of “I Will Not Go Quietly” to the sad reflections of “New York Minute” and many other musical and emotional stops along the way.
We hope you enjoy our observations on this excellent and pensive work.
 
The End of the Innocence
This is the title track, the first track on the album, and the first and most successful single.  It was co-written and co-produced by Bruce Hornsby, who plays piano on it.  Henley is overtly political on this one, and throughout the album.  In the David Fincher video for the song, Oliver North is shown in his Iran/Contra congressional testimony during the line, “armchair warriors often fail,” and Reagan is shown during the lyrics, "they're beating plowshares into swords for this tired old man that we elected king."
I Will Not Go Quietly
This is the heaviest song on the album.  Most of this album is pretty introspective, but not this one.  Axl Rose contributes backing vocals!  “Well, don't you ever get lonely?  Don't you ever get down?  Don't you ever get tired of all the wicked tongues in this town?”
New York Minute
A track with an almost symphonic feeling, this song features a number of well known collaborators.  David Paich (Toto) plays piano, Jeff Porcaro (Toto) is on drums, Pino Palladino (session musician for many, including Jeff Beck, the Who, and Nine Inch Nails) is on fretless bass, and Christian Jazz a capella group Take 6 is featured in the chorus.  This is one of Henley's songs which made it onto the Hell Freezes Over tour and album when the Eagles reunited in 1994.
The Heart of the Matter
Mike Campbell (of The Heartbreakers) wrote and produced this music.  It tells of loss and moving on with forgiveness.  "What are those voices outside love's open door make us throw off our contentment and beg for something more?"
 
ENTERTAINMENT TRACK:
“Batdance” by Prince (from the soundtrack for the motion picture “Batman”)
Michael Keaton would show us his darker side in this first big budget adaptation of the Caped Crusader since the campy 60's series.
 
STAFF PICKS:
“Headed for a Heartbreak” by Winger
Brian brings us Kip Winger's hit from his debut album.  Winger was one of the big hair bands of the late 80's, but Charles Fredrick Kip Winger also has an impressive vocal range and was classically trained.
“Trouble Me” by 10,000 Maniacs
Rob's staff pick features the alternative rock which was about to drift into mainstream.  This hit is off their fourth album entitled "Blind Man's Zoo."  Natalie Merchant adds a distinctive voice as front woman for the group.  The lyrics are inspired by Merchant's father who was sick in the hospital.  “Why let your shoulders bend underneath this burden when my back is sturdy and strong?” 
“Tehran” by The Offspring
Wayne's staff pick kicks in some California punk rock.  The song is an anti-war creed.  Interesting that frontman Dexter Holland has a PhD in molecular biology, is a licensed pilot, and has his own brand of hot sauce.  The album never came out on CD, only album or cassette.
“Crossfire” by Stevie Ray Vaughan and Double Trouble
Bruce features this track off SRV's fourth studio album, "In Step."  It was the first one after he had gone through drug and alcohol rehab, and "In Step" refers to the 12-step program of Alcoholics anonymous.  The song itself talks about the almost Darwinian pressure of modern life.
INSTRUMENTAL TRACK:
“Follow Your Bliss” by The B-52's
The Athens band The B-52's were making a strong resurgence in 1989 with their album “Cosmic Thing,” and this instrumental track wraps us up this week.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The Doobie Brothers were already a commercial success by the time their fourth studio album, What Were Once Vices Are Now Habits, was released in 1974.  This iteration of The Doobie Brothers features mainstream rock and roll with a folk harmony bent, and the vocals of singer-songwriters Tom Johnston and Patrick Simmons.  Tim Porter is on bass, and "Little" John Hartman and Michael Hossack round out the group in the unusual position of dual drummers.
The group got the name The Doobie Brothers from Keith "Dyno" Rossen, who suggested it to Johnston, "because you're always smoking pot."  Everyone agreed that it was a stupid name and they only intended to use the name until they came up with something better.  They never did, and The Doobie Brothers have been with us for 5 decades.
When they were first starting out, The Doobie Brothers attracted early attention from local chapters of the Hells Angels, and many of their gigs were at biker bars and venues frequented by motorcycle riders.
The Doobie Brothers have been inducted into the Rock and Roll Hall of Fame in the class of 2020.
 
 
Another Park, Another Sunday
With a mellow, beautiful melody and chord progression, this track tells the story of the loss of a girl.  This is a very relaxing song that takes us back to a laid back memory.  Tom Johnston takes lead vocal duties on this first single release from the album.  
Eyes of Silver
This is the second single release from the album.  While it is well known today, it did not do as well as the modest success that "Another Park, Another Sunday" achieved as a single.  Even though the band originated in the San Francisco bay area, this song has more of a southern rock feel to us.  We also enjoyed the sound of The Memphis Horns on this one.
Nobody
Originally recorded on their debut album, this song was adjusted and put on the album.  This was the third single, though it was about to be overshadowed by the next single coming.
Black Water
Patrick Simmons takes vocal duties on this "swamp rock" hit, which would be the biggest one off the album.  Originally the B-side from "Another Park, Another Sunday," DJ's began to pick up on it, and it would become The Doobie Brothers' first million-selling song.  Check out that acapella section at the end.  
 
ENTERTAINMENT TRACK:
The theme from the motion picture “Blazing Saddles” 
Mel Brooks' comedy film could never be produced today!  Brian reminisces about taking a date to this movie.  Richard Pryor wrote parts of this film.
 
STAFF PICKS:
“Come and Get Your Love” by Redbone
Bruce's staff pick is the highest charting single from Redbone, a Native American rock group.  It would peak at number 5 on the Billboard hot 100.  Brothers Pat and Lolly Vegas, Tony Bellamy, and Butch Rillera make up the group, and Lolly plays the electric sitar.   It got a second life when it was on Star Lord's awesome mix tape from the movie “Guardians of the Galaxy.”
“She's Gone” by Hall and Oates
Rob brings us some blue-eyed soul from Darryl Hall and John Oates.  Similar to the case with “Nobody,” this is the first release of of the song, which peaked at #60.  They would tweak the song and re-release the song in 1976, when it would go to #7 — the version you will recognize more easily.  Both Hall and Oates were going through breakups at the time that they wrote the song.  The video to this song is...well, definitely pre-MTV!
“Burn” by Deep Purple
Wayne's staff pick brings the tempo up with the title song off Deep Purple's eighth album.  The singer is David Coverdale, who co-wrote the song with Ritchie Blackmore.  The constant drumming and strong vocals make it a great driving song.  The lyrics tell the story of “a witch's last curse as she is burned at the stake.”
“Jim Dandy to the Rescue” by Black Oak Arkansas
Brian takes us down south, and back to a song originally written in 1956 by Lincoln Chase and recorded by Laverne Baker.  Ruby Starr and Jim "Dandy" Mangrum take turns on the vocal leads on this high energy boogie.
 
COMEDY TRACK:
"Energy Crisis '74" by Dickie Goodman
Another montage comedy track from Dickie Goodman takes us out on this week's podcast.
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