What the Riff Next Gen

Depeche Mode made a decision to minimize their pre-production work when they created their seventh studio album.  It must have worked, becauce Violator would become their breakthrough international album.  Keyboardist Andy Fletcher, keyboardist and vocalist Martin Gore, also keyboardist and drum machinist Alan Wilder, and lead man Dave Gahan had previously hit the charts with their 1984 single “People Are People.” This album would see crossover success led by the monster hit “Personal Jesus.”  While the album was released in May of 1990, the last single from the album came out in September 1990.
Depeche Mode is best known as a keyboard-powered synth pop band, primarily successful in Europe up until this time.  The band name comes from a French fashion magazine, which had at one time considered making the band give up the name — but they decided to leave things alone.  The band was bringing more attention to the magazine, so it was a smart decision to let the band continue with the name.
The name of the album was a bit of a joke, poking fun at heavy metal albums of the time.  The group had decided to take a break from the extensive pre-planning that had marked the development of their previous albums.  Perhaps the increased spontaneity helped propel this album to a crossover success.
We hope you enjoy this album discussion and thoughts on 1990. 
 
World In My Eyes
This lead song was the fourth and final single from the album, and was released in September 1990. Martin Gore liked this song because of its upbeat tone, though “upbeat” might be a rather fluid description.  You get a sense of the keyboard-heavy foundation of the band with this song.
Enjoy the Silence
This hit song was originally written by Martin Gore as a ballad, but the producer, Alan Wilder increased the tempo and made it a dance song.  The lyrics are dark, but Martin Gore considered the dark lyrics “more authentic.”
Personal Jesus
This is the monster hit from the album, and boasts a rare guitar riff among the keyboards.  This top 40 hit has been covered by a number of artists, including Johnny Cash, Marilyn Manson, and Sammy Hagar.  The lyrics are about having someone as an idol in your life - dependent upon you in an unhealthy way.  David Gahan, after a wild youth, is now a sacramental convert to the Greek Orthodox Church.
Clean
A deeper cut from the album, this track was heavily inspired by Pink Floyd's “One of these Days” from 1971.  
 
ENTERTAINMENT TRACK:
Theme from “The Fresh Prince of Bel-Air” by DJ Jazzy Jeff and The Fresh Prince
Will Smith made rap accessible, while starting his career as a celebrity through his acting on this comedy show.
 
STAFF PICKS:
Fly to the Angels  by Slaughter
The band name for Brian's staff pick sounds like a heavy metal name picked out of a hat, but it is actually the name of their frontman, Mark Slaughter.  The song is a ballad about a friend who has passed away. The song comes from the 1990 album "Stick It To Ya."  Fly to the Angels propelled Slaughter to stardom during a time when the Hair Bands were on their way out and Grunge was on its way in.
Mansion on the Hill  by Neil Young and Crazy Horse
Wayne brings us the guy that was grunge before grunge was cool.  This song and album was recorded with very little production, which gives it a live feel.  The Mansion on the Hill is about a place where “psychedelic music fills the air.”
Thunderstruck   by AC/DC
Brian's staff pick is the lead single off AC/DC's 12th studio album (11th international release).  Angus Young is playing a single string with no picking, just hammer on and pull offs using the second string.  The song name came from a toy made by The Ideal Company called ThunderStreak, which was a wooden hydrofoil boat that was powered with a rubber band wind-up propeller.
Candy  by Iggy Pop and Kate Pierson
Rob's pick rounds things out with a crossover alternative rock hit.  Iggy Pop tells of a lost love from his perspective in one verse, then Kate Pierson (from the B-52's) picks up the next verse from the lost love's perspective.
 
INSTRUMENTAL TRACK:
For the Love of God  by Steve Vai
Guitar virtuoso Steve Vai takes us out on this week's podcast with an eastern influenced instrumental riff.
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NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Their self-titled debut album and its breakthrough single “No Rain” put Blind Melon on the charts. A little alternative, a little hippie throwback, and maybe a little southern rock, Blind Melon is headed by frontman Shannon Hoon. Born in Indianapolis, Hoon was practically born a rock star, with the vocal chops and (unfortunately) the lifestyle to match. Hoon moved to Los Angeles where he formed the band with bassist Brad Smith, percussionist Glenn Graham, and guitarists Stevens Rogers (lead) and Christopher Thorn (rhythm). Some of that “southern roots” feel may come from the fact that three of the band members are from Mississippi, and that much of the work on the album took place in Durham, North Carolina.
Our research suggests the name Blind Melon may come from Mississippi stoners, or from the Cheech & Chong character “Blind Melon Chitlin.”
The success of the album led to extensive touring, and unfortunately to problems that Shannon Hoon would experience with drug and alcohol abuse. Hoon checked into rehab multiple times, but unfortunately succumbed to a drug overdose in New Orleans while touring for their second album in 1995. He was only 28.
Despite being defined as alternative rock, this first album has a 70's feel. That may be attributed to the use of antiquated amplifiers and technology, and only sparing use of overdubs. The album sound is very much representative of what you would hear in a live performance.
We hope you enjoy this dive into a band whose trajectory was cut tragically short.
 
I Wonder
This track starts off with a quiet acoustic beat, then moves to a classic alternative beat. The song is about addiction and trying to get over it - along the lines of feeling judged. “...now they're watching everything I do - everything I say...”
Holyman
An anti-religious song, perhaps inspired by Hoon's encounter with people encouraging him to go to church. They wanted him to find an anchor in spirituality. Hoon was very intense, and embraced the rock and roll lifestyle, a “heartbreaking cycle of drug use.”
Change
This track is considered to be the most personal look at Shannon Hoon. Written long before the formation of the band, Hoon's mother would later recall him playing this song on the porch of their house in Indiana. “Keep on dreaming, because when you stop dreaming it's time to die.”
No Rain
This is the hit that would put Blind Melon over the top, especially with the “bee video” which made them famous. The “bee girl” on the album cover was inspired by an old picture of drummer Glenn Graham's sister. The bee girl in the video was played by Heather DeLoach (picked because she looked similar to the picture of Graham's sister).
 
ENTERTAINMENT TRACK:
Love Potion No. 9  by The Clovers
This romantic comedy film starred Sandra Bullock and Tate Donovan. Anne Bancroft was also in this film.
 
STAFF PICKS:
Walking On Broken Glass  by Annie Lennox
Rob's staff pick was from Lennox's solo album “Diva,” after her days with The Eurythmics. The video was a play on the film “Dangerous Liaisons,” complete with costumes - and John Malkovich! Though a pop song, there is a symphonic quality to it.
Digging In The Dirt  by Peter Gabriel
Bruce brings us the lead single from Gabriel's album “Us.” It explores issues in Gabriel's life, like the end of his relationship with Rosanna Arquette, and his desire to reconnect with his daughter. The video utilized a lot of stop motion, and won the Grammy award for best short form music video in 1993.
Little Miss Can't Be Wrong  by The Spin Doctors
Brian's staff pick picks up the pace. Lead singer Chris Barron actually wrote this song about his stepmother, with whom he had a bad relationship. This was the first single from their debut album “Pocket Full of Kryptonite.”
Not Sleeping Around   by Ned's Atomic Dustbin
Wayne's deep track harkens back to the Manchester sound he enjoyed in the early 90's.  “The Neds” used two bass players to give them that driving sound.  They also impacted the apparel industry by producing over 80 t-shirt designs in 3 years! :-)
 
INSTRUMENTAL TRACK:
Last Horizon  by Brian May
This instrumental comes from the Queen alumnus and guitarist, Dr. Brian May (an actual PhD in astrophysics)
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In 1966 The Rolling Stones were not the giants that they would come to be in the rock world, but their third album, Aftermath would start their transformation. While their two previous albums had consisted of a significant volume of cover songs (much like the Beatles' early work), Aftermath would be the first album with all original material, primarily written by Mick Jagger and/or Keith Richards, and is considered the group's breakthrough album. Brian Jones would be a multi-instrumentalist on this album, though the estrangement from the rest of the band was already beginning to set in. He would leave the band in 1969, and die a month later at the age of 27.
Brian walks us through this feature and breakout album from one of the greatest groups of the rock era. We hope you enjoy this mid-60's session.
 
Paint it Black
This track opens the US version of the album. As the title suggests, it is a dark, minor key song. It deals with depression, and the feelings that the individual has that he wants the world to reflect his own dark mood.
Stupid Girl
This deeper cut has been used as an example of misogyny in the music of the Stones, and it is easy to see why. The inspiration is said to be Mick Jagger's rocky relationship with model and actress Chrissie Shrimpton, It's a pretty venomous, with lyrics like "It doesn't matter if she dyes her hair, or the color of the shoes she wears. She's the worst thing in the world. Well, look at that stupid girl."
Lady Jane
Another deep cut, this song might be about Jane Seymour, third wife to Henry VIII, and lady in waiting to Anne Boleyn, the executed second wife of Henry VIII.
Under My Thumb
This is their biggest hit off the album, and if you're looking for proof of male chauvinism in The Rolling Stones, this would be it. "It's down to me, the way she talks when she's spoken to. Down to me, the change has come, she's under my thumb."
 
ENTERTAINMENT TRACK:
The theme to the television series “Ultraman” 
This Japanese science fiction/monster series came to the US with English dubbed in. The show would spawn multiple adaptations over time.
 
STAFF PICKS:
“Hungry” by Paul Revere and the Raiders
Wayne's staff pick was produced by Terry Melcher. Melcher worked with a number of groups including The Byrds and was a session musician on The Beach Boys "Pet Sounds" He was introduced to ex-con and aspiring musician Charles Manson through Beach Boy Dennis Wilson. Later on, the Manson Family murders would take place in the home in which Melcher had been living, and which had recently been rented to Roman Polanski and Sharon Tate. Melcher believed that Manson wanted to kill Melcher when Sharon Tate was killed, and went into hiding. "Hungry" and the Manson murders made it into the film "Once Upon A Time In Hollywood." 
“Sunny” by Bobby Hebb
Rob features a constantly covered classic. Hebb wrote "Sunny" in the days after the JFK assassination and after his older brother Harold was killed. He channeled his grief into a positive direction in writing the lyrics and music of this song - looking for a brighter day.
“Cool Jerk” by The Capitols
Bruce's staff pick from the Detroit trio was based on a dance craze called "the jerk" A particularly sexual version was known as "the pimp jerk," but the band didn't think that name would make it onto the airwaves. Instead, the called it "cool jerk." You may be more familiar with the version by The Go-Go's. It also made an appearance in "Home Alone 2."
“Everybody Loves a Nut” by Johnny Cash
Brian features The Man in Black taking a more comedic turn. This was off his 23rd album of the same name, consisting largely of novelty songs. This one was written by Jack Clement
 
COMEDY TRACK:
"They're Coming to Take Me Away, Ha-Haa!" by Napoleon XIV
You may have heard this on Dr. Demento. The original came out in 1966.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Even though he was at the top of his game Stevie Wonder almost retired to work with handicapped children in Ghana before this album was made. Instead, he signed what was then the largest recording deal in history, and released what many consider the best of his classic era — the double album Songs in the Key of Life. This album was released in late September, debuted at number 1 (the first artist other than Elton John to do so), and remained there for 13 weeks.
“Songs in the Key of Life” was nominated for seven Grammy Awards in 1977, and won Album of the Year, returning Wonder to the stage for the third time after his wins in 1974 and 1975. The album is full of passion and politics, jazz and funk, and can be nostalgic or melancholy without losing an upbeat feel all the way through. This album really gives you a sense of the multi-talented artist, singer, songwriter, keyboardist, harmonica player, and producer that is Stevie Wonder. He surely has been an influence in Rock and Roll and we are pleased to present this amazing work.
I Wish
This is the lead-off single from the album. It was released a month after the album hit the stores, and takes a nostalgic look back on Wonder's childhood in the 1950's and early 60's.
As
It was a full year after the album was released that this song made its appearance as a single. The song describes how long the singer's love will last in terms like “until the dolphin flies and parrots live at sea...until the day that eight times eight times eight is four.” It flips between major and minor keys, but maintains its positive attitude throughout.
Summer Soft
A deeper cut, this track uses the metaphor of summer and winter to describe loss and transience in relationships. There are a lot of key changes and chord progressions that are classically Stevie Wonder, and he uses them well to give the song a feeling of things constantly moving and changing, which reinforces the theme.
Sir Duke
Stevie Wonder pays tribute to his musical heroes in this well known song. “There's Basie, Miller, Satchmo, and the king of all, Sir Duke. And with a voice like Ella's ringing out, there's no way the band can lose.”
 
ENTERTAINMENT TRACK:
The theme from the television series “Quincy, M.E.” 
Jack Klugman would leave behind his role in “The Odd Couple” to play a starring role as a medical examiner in this show which hit the airwaves much earlier than the popular forensic shows of today.
 
STAFF PICKS:
“Crystal Ball” by Styx
Wayne features Alabama native Tommy Shaw as writer and lead singer on this Styx classic. Shaw had recently joined the band, and this song would be the title track from their album. It discusses getting a glimpse of your future when life is confusing.
“Let 'em In” by Paul McCartney and Wings
Rob's staff pick is from one of the biggest musicians at the time in his ex-Beatles days. McCartney references members of his real family in this song, then includes Martin Luther, Phil and Don (The Everly Brothers), Uncle Ernie (from the rock opera "Tommy").
“Getaway” by Earth, Wind, & Fire
Brian's staff pick returns to some funky R&B from Earth, Wind & Fire's album “Spirit.” The song was written for a flute player named Bobbi Humphrey, but the demo never made it to her.
“Lowdown” by Boz Scaggs
Bruce features the first major hit from Boz Scaggs. It was co-written by Scaggs and his keyboardist David Paich. Scaggs' session musicians would later on form the band Toto. The genre is a little disco, a little funk, and has been described as blue-eyed soul.
INSTRUMENTAL TRACK:
“A Fifth of Beethoven” by Walter Murphy
This disco take on Beethoven's 5th Symphony was very popular on the dance floors and skating rinks of 1976.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Lots of music was coming out of Detroit in the 60's, and one of the high energy groups coming out of the Michigan rock scene was Mitch Ryder & The Detroit Wheels. The group had crossover appeal with a little soul, a little funk, and a lot of energy. Breakout...!!! was their second album, and was indeed a breakout for this Motor City band.
Mitch Ryder (stage name for William Sherille Levise, Jr ) was originally a backup singer with a soul band, but racial animosities forced the white Mitch Ryder to move on. Much of the music done by Mitch Ryder & The Detroit Wheels was cover songs.
The group was legendary for their onstage presence and intensity. Breakout...!!! was an album compiled and released only after the songs had been released as singles.
 
Walking the Dog
This song is a cover performed by Rufus Thomas, and was done by many groups.
"Ooh Poo Pah Doo"
If you get the image of a toga party when listening to this music, you're not alone! This song was originally written and performed by Jessie Hill, and was a hit for Hill in 1960. You get a sense for Ryder's vocal chops on this one.
Little Latin Lupa Lu
This Righteous Brothers cover was mentioned in the film “Hi Fidelity.” The sound of a revved up R&B permeates all of the rock genre.
Devil With A Blue Dress On
One of the more famous Ryder songs, this was first recorded by Shorty Long in 1964, but Ryder's version would pick up the tempo, and proved more popular than the original.
ENTERTAINMENT TRACK:
Theme from the television series “Star Trek”
This long-standing staple of the science fiction genre got its start in 1966, and the original series would run for (only!) 3 years.
STAFF PICKS:
“Working In The Coal Mine” by Lee Dorsey
Rob presents a song written by producer Allen Toussaint, and recorded by New Orleans native Lee Dorsey. Dorsey was in boxing and auto repair before becoming a singer. You may be more familiar with the Devo version of this cover recorded in 1981.
“Sunshine Superman” by Donovan
Bruce features the title track from Donovan's third album. This would be his breakthrough song. John Paul Jones and Jimmy Page were in this band, and would go on to fame in Led Zeppelin. ...“Superman or Green Lantern ain't got a-nothin' on me.”
“Who Do You Think You Are?” by The Shindogs
Brian's staff pick features the harmonies of LA-based Shindogs, who were formed as the house band for the ABC television show “The Shindigs.” They remained with the show until it's cancellation in 1965, and continued on until shortly after this song was released.
“I'll Keep Holding On” by The Action
Wayne's staff pick was a mod group, playing soul-influenced pop music in London. They had no hits, but were a warm-up band for The Who, and were known as a great live band. This song was originally recorded by a Motown group called The Marvelettes.
INSTRUMENTAL TRACK:
“Wade in the Water” by Ramsey Lewis Trio
We finish off this week with a horn-based instrumental gospel song on the charts at the time.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

After doing well with their 1980 self-titled album, Canadian rock band Loverboy would head into the stratosphere with their second studio album entitled Get Lucky. Benefiting from a photogenic lead singer (Mike Reno) clad in read leather pants, Loverboy would ride the MTV wave to the top of the rock and pop charts. Loverboy was founded in 1979 by front man Mike Reno and guitarist Paul Dean, who met when Reno was working at a steakhouse and heard Dean playing guitar in a bus station behind the restaurant. Success came quickly, with hits like "Turn Me Loose” and "The Kid is Hot Tonite” from their first album.
The name Loverboy came from Paul Dean's dream inspired by the Cover Girl fashion magazine. “Cover Boy” then became “Loverboy,” and the name stuck.
Loverboy is still out performing, and Reno still wears the headband. While it made a fashion statement at the time, he claims it was to keep the sweat from getting in his eyes. The band is the same in its entirety today, except for Scott Smith, their original bass player, who was lost at sea when a rogue wave hit his sailboat. He was replaced by bassist Ken "Spider" Sinnaeve in 2001.
Grab your red leather pants and sing along with this hit album.
When It's Over
This their second single, and the second track on the album. It made it to number 26 on the charts. It tells the story of a guy waiting for the failure of a bad relationship so he can get the girl.
Working for the Weekend
You will recognize this track from the starting cowbell if you ever heard 96 Rock's “5 O'Clock Whistle” back in the day. This is the lead single from the album, and went to number 29. Paul Dean was walking on the beach on a Wednesday afternoon, thinking about how everyone was busy at work, waiting for the weekend. With the band’s feedback, the line "waiting for the weekend" became "working for the weekend."
Lucky Ones
A hopeful track, this song gives the album its name. “Don't ask me how, but guess who hit the big time?”
Take Me To the Top
A deeper cut - though still a hit single on a single-heavy album. The synthesizer intro is distinctive. This track was actually a demo that made it right onto the album without a studio version.
 
ENTERTAINMENT TRACK:
Theme from the Motion Picture “Halloween II”
You have to have a creepy theme from a spooky movie if your profiling music from October, right? Villain Michael Myers also debuted on television for the first time in October 1981, as the original "Halloween" appeared on the networks - heavily edited.
STAFF PICKS:
“Talk Dirty” by John Entwistle
Wayne's staff pick brings us a solo outing from “The Ox,” John Entwistle, bassist from The Who. This song was a minor hit at the time, when members of The Who were engaged in solo projects. Joe Walsh takes lead guitar duties on this one.
“Destroyer” by The Kinks
Bruce features a hit off their 19th album that was incredibly popular for a rock song at the time. The Kinks make reference to two previous songs, "Lola" and "All Day and All of the Night." Stop! Hold on! Stay in control...
“Tryin' to Live My Life Without You” by Bob Segar
Brian's staff pick is a live rendition of a song originally written by Larry Williams and released by Otis Clay in late 1972. Segar's version went to number 5, so it was much more popular than the original.
“In Your Letter” by REO Speedwagon
Rob features a do-wop song from REO Speedwagon's hit album “Hi Infidelity.” Despite the 60's sound, this song is not a cover. Keyboardist Gary Richrath wrote this song after finding a letter from his ex-wife indicating that his wife had left him...for their drug dealer.
 
INSTRUMENTAL TRACK:
Theme from the Television Show “Hill Street Blues” by Mike Post
This instrumental theme was on the charts at the time.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In its second album, Pink Floyd would begin its transition from a psychedelic 60's era band to what would become an icon of the rock genre. A Saucerful of Secrets is a strange album, and the only one in which Pink Floyd would consider themselves to be a five piece band. Frontman Syd Barrett had begun his slide into insanity, and was too unstable for the band to rely on him for concerts and recordings. They brought in David Gilmour to supplement Barrett on guitar, while Nick Mason (drums) Roger Waters (bass) and Richard Wright (keyboards) continued in their roles. Barrett would leave before the album was completed, but his shadow would hang over the band for the rest of their days.
The compilation itself retains much of the psychedelia of their first album, but there are moments where you can sense the movement of the band to what they would become, though that transition would take several years. Nick Mason considers this album to be his favorite; however, it would not crack into the top albums until 2019.
Brian leads us through this strange trip to explore this experimental and transitional album.
 
Jugband Blues
This song finds Syd Barrett on vocals, his last studio song with the group, and the only one on the album where he does so. Barrett would famously never recover from his mental illness, and the band would transition to David Gilmour on guitar (and often vocals) afterwards.
Let There Be More Light
This track is sung by Roger Waters, and you can get a sense of Gilmour's influence here as well. At their concerts, Pink Floyd would project images of bubbles on the wall as an early high tech psychedelic effect..
Remember a Day
Rick Wright keyboardist for the group, wrote this song and takes the lead on vocals as well. The song has a “white rabbit” feel to it, and seems more professionally produced, though it continues the acid rock trip. Pink Floyd was an underground band at the time, and some classify the music of the time as “space rock.”
Set the Controls for the Heart of the Sun
If there is a hit off the album, this is it. Roger Waters wrote and sang this song, and it definitely fits the “space rock” description. This is the only song on the album in which all five of the Pink Floyd members participated.
 
ENTERTAINMENT TRACK:
“Yellow Submarine” by The Beatles
Drummer Ringo Starr takes his turn on vocals for this Beatles tune which was the main theme to their motion picture of the same name.
 
STAFF PICKS:
“The Look of Love” by Sergio Mendes & Brasil '66
Bruce's staff pick was written by Burt Bacharach, with lyrics by Hal David, and was originally recorded by Dusty Springfield for the James Bond film “Casino Royale” in 1966. Sergio Mendes & Brasil '66 performed their rendition on the Academy Awards telecast in April 1968, and it actually did better than the Springfield version, peaking at number 4 on the charts.
“Mony Mony” by Tommy James and the Shondells
Rob features an often-covered hit. This version made it to number 3 in the U.S. The title came from James seeing the Mutual of New York building. The initials - M.O.N.Y.- inspired the title. Most of us are more familiar with the Billy Idol version from the early 80's: Get Laid Get ____ed!
“Daylight Stranger” by Gary Puckett and the Union Gap Band
Wayne brings us back to 1968 psychedelia with a deeper cut. The band was discovered by Jerry Pooler, who wrote most of their songs. You could find them dressed as Union soldiers for their concerts.
“Dream a Little Dream of Me” by Mama Cass
Brian features this 1931 cover by Mama Cass. The depression-era song was popular over many decades. This is one of three versions which have charted, including the one by the cast of the television show “Glee” in 2010.
 
INSTRUMENTAL TRACK:
Theme from the motion picture “The Good, The Bad, and The Ugly”
How do you type a whistle???  This well-known instrumental made it onto the charts in July 1968.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Despite the fact that he was a household name by 1989, Full Moon Fever is the debut solo album by Tom Petty, since his other albums were as Tom Petty and the Heartbreakers. It was a little straining on the members of the Heartbreakers, but everyone but drummer Stan Lynch contributed to Full Moon Fever. It was even recorded in Heartbreaker guitarist Mike Campbell's garage studio. Members of the Traveling Wilburys participated as well (except for Bob Dylan), and Jeff Lynne (ELO) produced it along with Petty and Campbell.
Full Moon Fever was recorded at the same time as the first Traveling Wilburys album, and was interrupted to allow time for the Wilburys recording.
We hope you enjoy this solo effort from the late Tom Petty, who passed in 2017.
 
Runnin' Down a Dream
This is the second single from the album, following "I Won't Back Down." It reached number 23 on the billboard hot 100. The mention of "me and Del were singin' 'Little Runaway'" references Dell Shannon's Runaway, which hit number 1 in 1961. Check out that outro "Attention, CD Listeners."
I'll Feel a Whole Lot Better
The Byrds originated this cover song. It was first released in June 1965, and was written by Byrds founding member Gene Clark. Petty's cover starts the second side of the album, was the fourth single, and hit number 18 on the US Rock Chart. It's a nice, tight single, as are many of the pieces on the album. You may recognize this song from the soundtrack of "Dumb and Dumber"
A Face In The Crowd
Petty and Jeff Lynne wrote this one, and you can readily sense Lynne's influence. It was the fourth singe, and peaked at number 46 on the Hot 100 Chart. This is a rare, melancholy song from what is a mostly upbeat album.
Yer So Bad
A humorous song also written by Petty and Lynne. "My sister got lucky, married a yuppie. Took him for all he was worth. Now she's a swinger, dating a singer. I can't decide which is worse."
 
ENTERTAINMENT TRACK:
“Wild Thing” from the motion picture Major League
This classic was played when Charlie Sheen's character came out to pitch. The song is performed by X.
 
STAFF PICKS:
"Stand” by R.E.M.
Brian features the Athens, GA stars, who encourage us to get involved in our local communities and businesses.  Peter Buck came up with what he thought was a "stupid guitar riff," and Michael Stipe decided to "write some stupid lyrics."  The result was nevertheless a hit.
“I'll Be You” by The Replacements
Wayne's staff pick showcases the biggest hit by The Replacements during a time when alternative music was becoming popular on the hit charts.  The Replacements disbanded in 1991, just before alternative music exploded into grunge.
“Voices of Babylon” by The Outfield
Rob's staff pick is a lesser known hit than "Your Love," which gets a lot of play at football stadiums.  The Outfield is a trio from Britain, and got their name when their manager objected to their original name "The Baseball Boys."  
“Jelly Roll” by Blue Murder
Bruce closes out the staff picks with this hair band epic. John Sykes, co-writer of many of Whitesnake's hits, plays the 12 string and electric guitar in this supergroup which also contained drummer Carmine Appice (Vanilla Fudge) and bassist Tony Franklin (The Firm).
 
INSTRUMENTAL TRACK:
“Memphis Train Blues” by R.E.M.
The B-side from R.E.M.'s single "Stand" finishes us off for this week's podcast.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

When you're looking at revolution-focused rock of the late 60's, you have to put MC5 near the top of the pantheon. Their debut album, Kick Out the Jams, was also a live album, and captures the rage and the energy that would inspire the garage band and punk movement in the years to come. MC5 stands for "the Motor City Five," and was frontman Rob Tyner, lead guitarist Wayne Kramer, rhythm guitarist Fred "Sonic" Smith, bassist Michael Davis, and Dennis Thompson on drums. This is a raw "punch in the gut" album, underground, very rebellious. MC5 was politically active, and was one of the bands playing for the protesters at the 1968 Democratic Convention.
The band would be broken up by 1972, but not before creating a legacy that would inspire bands for decades to come.
Get ready for some loud, angry rock and roll!
 
Rocket Reducer #62 (Rama Lama Fa Fa Fa)
The song is the last track on the first side of the album, and with lyrics like "you can lay it down on me, momma any old time. We can shimmy so good, We'll both be stoned o-mind," it is pretty easy to see the sex and drugs in this rock and roll.
Come Together
This track has a sound similar to The Who, and was a call to arms for the anti-capitalist left. Between the drug references and the explicit lyrics, MC5 would find their albums banned from many of the record stores at the time.
Ramblin Rose
This is a cover song originally recorded in 1962 by Jerry Lee Lewis, and by Ted Tyler in 1965. It was originally a country rock song, but Tyner puts a falsetto twist on it. This is the first track on the album.
Kick Out the Jams
The title track of the album would be the signature song of MC5, and would be covered by numerous people through the years. You're not going to find ballads from this group, and this song is a call to get rid of the easy listening stuff and get loud!
 
 
ENTERTAINMENT TRACK:
“Tra La La” by The Banana Splits
The Banana Splits was a Saturday morning TV show in the late 60's. It featured costumed characters and a variety of short kids shows in serialized format.
 
STAFF PICKS:
“If I Can Dream” by Elvis Presley
Bruce picks The King this week. This song was recorded in June 1968, two months after Martin Luther King, Jr. was assassinated, and contains direct quotations from MLK. It was first released as the finale to Presley's 1968 comeback special, and was on the charts in February 1969.
“For Once In My Life” by Stevie Wonder
Brian's staff pick was originally written in 1966, and recorded by a number of people including Frank Sinatra and Tony Bennett. Earlier versions of this song were done as a ballad before Stevie Wonder picked up the tempo.
“Son of a Preacher Man” by Dusty Springfiled
Rob's features the Memphis sound of this British native. It was originally intended to be sung by Aretha Franklin but Dusty Springfield does it justice. This was her last top 10 hit, but Springfield was also on a hit from 1987 - “What Have I Done to Deserve This” by the Pet Shop Boys.
“Anything You Choose” by Spanky and Our Gang
Wayne's staff pick is a deeper cut from Elaine “Spanky” McFarlane and her band. McFarlane got her nickname from the similarity of her last name to George McFarland, who played Spanky in "The Little Rascals" serial in the 30's. This song has an Elvis feel and a great horn section.
 
INSTRUMENTAL TRACK:
"Hang 'Em High" by Booker T and The MG's
We finish up with this instrumental covering the theme from Clint Eastwood's western film of the same name. This keyboard-heavy rendition entered the charts this month.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

As Diamond Dave would say, "I heard you missed us - we're back!" Back with David Lee Roth, Michael Anthony, and Alex and Eddie Van Halen, this time delving into their second studio album, conveniently entitled Van Halen II. Hot on the heels of their debut album released less than a year prior, Van Halen hit the studios for this second album a week after completing their world tour, and wrapped it up within a week.
The big hit from this album was "Dance the Night Away," Van Halen's first top 20 hit, and inspired by Fleetwood Mac.
The album notes had a shout-out to the Sheraton hotel in Madison, Wisconsin, which the band trashed the 7th floor while on tour.
We hope you enjoy this fun and hard rocking second effort (and second podcast featuring the group) from Van Halen!
 
You're No Good
This is no Linda Ronstadt cover. Originally performed in 1963 by Dee Dee Warwick, this song was covered by a number of groups, most notably Linda Ronstadt in 1975. We like Van Halen's version just a wee bit better! Check out the dueling screams from Roth's voice and Eddie's guitar.
D.O.A.
A rocking deep cut - Dead Or Alive was the B-side from the single "Beautiful Girls." Roth tells a down and out story in a proto-rap style: Broken down and dirty, dressed in rags/from the day, my Mama told me boy, you pack your bags"
Women In Love...
The intro to this song features tap harmonics in the guitar solo leading into this original song. Eddie Van Halen said this song was "a tale about a guy losing a girl to another chick."
Beautiful Girls
Here's the other big hit from the album (Dance the Night Away being the first). This is a fun, syncopated beach song: "She had a drink in her hand, she had her toes in the sand, and wooh! What a beautiful girl!"
 
ENTERTAINMENT TRACK:
Theme from the Television Series “All In the Family”
The final episode of "All In the Family" would air in April 1979.
STAFF PICKS:
"Roller” by April Wine
Wayne's staff pick brings us Canadian rockers April Wine. With three guitars (a rhythm and two leads), this hit describes a woman at the high stakes tables in the casino. It retains that 70's hard rock feel. April Wine was often selected as a "warm-up band" for bigger acts.
“Crazy Love” by Poco
Bruce takes the tempo down a bit with this biggest hit from the California country rock group Poco. This song was originally intended to be a song for the Cotton-Young band, but ABC Records had the group continue with the Poco name.
“Blow Away” by George Harrison
Brian's staff pick features former Beatles guitarist George Harrison. This song was considered a disco song by Harrison, and he said that it was one of the simplest compositions he ever wrote. The song arose from - believe it or not - frustration over a leaky roof.
“I Want You to Want Me” by Cheap Trick
Rob finishes off the staff picks a track that is identified by its live version much more than its studio cut. The studio version came out in 1977, but the live version dropped in April 1979, and Rob profiles the two. This is Cheap Trick's biggest hit.
 
INSTRUMENTAL TRACK:
“Take It to the Top” by Dixie Dregs
We wrap up this week's podcast with this prog rock group well known for their highly talented instrumental work.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Cream was the original rock supergroup. Drummer Ginger Baker, Bassist Jack Bruce, and guitarist Eric Clapton were already recognized for their individual talent, and the name of the group would reflect their status as “the cream of the crop.” DIsraeli Gears is their second studio album, and was the album that would propel them to fame in the United States.
Cream was considered not only a supergroup, but was a proto-progressive band, a jam band, and perhaps an early heavy metal band due to their penchant for recording at high volume.
The group was formed by Ginger Baker, and Eric Clapton wanted Jack Bruce to join. Surprisingly, Bruce was invited to join. Baker had fought with Bruce and thrown him out of an earlier band, but they decided to try to work together. They made it as a group for four albums before egos and disagreements would drive them apart.
We hope you enjoy this exploration of the psychedelic rock of Cream.
 
Sunshine of My Love
This song was written at sunrise, and has one of the most famous starting riffs in the rock genre. This was the second single of the album, and is dedicated to Jimi Hendrix.
Strange Brew
This was the first single from the album, and hearkens back to the blues style that Clapton played in The Yardbirds.
SWLABR
The song is an acronym: She Was Like a Bearded Rainbow," and is a psychedelic song. It was the B-side for "Sunshine of My Love."
Tales of Brave Ulysses
Another psychedelic track, this was co-written by Eric Clapton and Martin Sharp, who drew the cover art for the album. It hearkens to the mythology of Odysseus, also known as Ulysses
 
ENTERTAINMENT TRACK:
“Magical Mystery Tour” by The Beatles
The Beatles produced a movie that accompanied the album of the same name, and it was a hit on the charts in 1967.
 
STAFF PICKS:
“Soul Man” by Sam and Dave
Bruce's presents a tune from “The Sultans of Sweat.” Sam and Dave met in Miami when both were performing on the gospel circuit. This song was written by Isaac Hayes and David Porter. This is their biggest hit, their first gold record, and led to the name of this genre, “Soul Music.”
“Georgia Pines” by The Candymen
Rob brings us a song by the group that began as the back-up band for Roy Orbison. They started out in Dothan, Alabama as “The Webs,” but changed their name when they landed the gig with Orbison. After their breakup, their front man would join a little session band in Atlanta known as “the Atlanta Rhythm Section.”
“How Can I Be Sure” by The Young Rascals
Brian's staff pick is the second hit by the Yong Rascals, following up for "Groovin'". Many would cover this song, including David Cassidy and Dusty Springfield in the 70's.
“Let It Out” by The Hombres
Wayne's staff pick was the #12 hit in November 1967. With its distinctive spoken lyrics, this song by the one-hit wonder, “The Hombres” would be covered by several bands as well.
 
INSTRUMENTAL TRACK:
"Maroc 7" by The Shadows
This surf-style instrumental takes us out for the week.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Rock legend Neil Peart passed on January 7th 2020 after a battle with brain cancer. Peart affected all of us in a significant way through his work as percussionist and lyricist for the rock band Rush, and we wanted to take a moment to say what his life and work meant to us as we play three songs - “Fly By Night” (from Peart's first album with the band), “The Spirit of Radio” (a great example of both his expertise on drums and his quality of lyrics), and “Closer to the Heart” (a hope-filled tribute). Our thoughts and prayers go out to Peart's family and friends. Rest in Peace, and thank you for making invisible airwaves crackle with life during your time on this earth.Thanks for listening to “What the Riff?!?” 
NOTE: To adjust the loudness of the music or voices, you may adjust the
balance on your device. VOICES are stronger in the LEFT channel, and
MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook
https://www.facebook.com/whattheriffpodcast/, and message or email us
with what you'd like to hear, what you think of the show, and any
rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs
and we neither sell, nor profit from them. We share them so you can
learn about them and purchase them for your own collections.

It is unusual for a band's debut album to be a serious hit, but Appetite for Destruction was such a success that it catapulted Guns N' Roses to celebrity status seemingly overnight. The emphasis is on “seemingly,” because it would actually take several months to catch on. Seven months after the album was released it had only sold 200,000 albums. MTV wouldn't play GNR because of their overt focus on sex and drugs. They finally were played on an episode of “Headbangers Ball” at 4:00 a.m. on the East Coast. That was all it took for the band to see the turnaround.
Paul Stanley of Kiss met the band prior to their being signed, and described them as “a bunch of wastoids.” He was surprised at the energy the band displayed when on stage that night, however.
With a straightforward focus on sex, drugs, and Rock and Roll, Appetite for Destruction featured Slash on guitar and Axl Rose on lead vocals. Other band members on this album were Izzy Stradlin on guitar, percussion, and backing vocals, Duff McKagan on bass, and Steven Adler on drums.
Steve Hardin joins us once again as guest host to present this album in Brian's absence.
Welcome to the Jungle
This is one of two big hits off the album, and reflects the thoughts of the band on life in Hollywood, and the big city where anything goes. This is the song that was played at 4:00 a.m. on MTV, touching off the album's meteoric rise after lackluster sales for the previous months.
Nightrain
This is one of the early songs from the band, complete with cowbell! The name supposedly comes from “Night Train Express,” a fortified flavored wine.
Mr. Brownstone
Izzy Stradlin originated this song, with the rest of the band adding on. It tells of a descent into heroin addiction. The subject of the song starts getting up at a regular time, and by the end of the lyrics is “getting up whenever.”
Sweet Child of Mine
This is the other big hit off the album, and was popular on both pop and rock stations. Axl Rose wrote the words inspired by his girlfriend at the time, Erin Everly.
ENTERTAINMENT TRACK:
“La Bamba” by Ritchie Valens
The docudrama telling of the life of Ritchie Valens was released this month in 1987.
 
STAFF PICKS:
“Kiss Him Goodbye” by The Nylons
Bruce's staff pick features a Canadian a cappella quartet covering Paul Leka, Gary DeCarlo, and Dale Frashuer's 60's hit "Na Na Hey Hey Kiss Him Goodbye." This song is a standard of sports events since being used by the White Sox in 1977.
“Lips Like Sugar” by Echo and the Bunnymen
Wayne brings us into the college rock genre with this alt-rock crossover from this group from Liverpool. Echo and the Bunnymen formed in 1978 and are still touring and producing records today. While never a top 40 hit, “Lips Like Sugar” was a staple of college radio.
“Jane's Getting Serious” by Jon Astley
Rob's staff pick continues the alt-rock theme. Jon Astley was a record producer, producing albums for The Who, Corey Hart, and Blondie, among others. This song only reached number 77, so Jon Astley is technically a “no hit wonder.” It was used in a catsup commercial, though!
“Back to Paradise” by 38 Special
Steve Hardin features a song from "Revenge of the Nerds II: Nerds In Paradise." The song is on a 38 Special Greatest Hits album, but never made it onto any of their studio albums.
 
INSTRUMENTAL TRACK:
“Fractured Too” by Ace Frehley
This week's instrumental song is from the Kiss alumnus' solo album “Frehley's Comet.”
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Heart hailed from and played in the Seattle area, but recorded this debut single in Vancouver, Canada. Dreamboat Annie appeared in Canada in the summer of 1975 and debuted in America on Valentine's Day 1976. In a male-oriented rock world the unusual sound of a female-fronted rock ensemble would both draw appeal and create friction that would drive a wedge between the group and their original Mushroom Studios label and propel them on to further success. Heart would go on to be almost a celebrity group in the MTV age of the 80's, but chafed against the insulting sexuality that the video producer's preferred.
Ann Wilson is the lead singer and her sister Nancy is on guitar.
 
Magic Man
The synth-driven track would be their second single released in both the U.S. and Canada, following different first singles in both countries. This song is about Mike Fisher, Ann's boyfriend at the time, and is somewhat autobiographical.
Crazy On You
This track would be the first single released in the U.S. Nancy's guitar work serves as a prelude to the song. This song is also about Mike Fisher, and about a culture that appeared to be falling apart with the Vietnam War, gas shortages, and other crises of the 70's. Nancy references the Moody Blues as an inspiration for this song.
Soul of the Sea
This deep track is a softer, peaceful sound, again led by Nancy Wilson's guitar. It has a prog rock feel in multiple movements.
Dreamboat Annie
The album's title track is a less rock oriented and more acoustic and harmonic feel. It was released in four cuts - an acoustic version, the album version, a reprise, and a sequel. It hit number 17 on the adult contemporary chart.
 
ENTERTAINMENT TRACK:
Theme from the television series S.W.A.T. by Rhythm Heritage
A radio charting track with a funky beat announced the start of the late night cop show.
STAFF PICKS:
“December 1963 (Oh, What a Night)” by The Four Seasons
Bruce's staff pick is the highest and last charting song by the Four Seasons. It hit #1 in March of 1976. The song was originally entitled "December 5th, 1933" and marked the repeal of Prohibition, but Frankie Valli persuaded keyboardist and writer Bob Gaudio to change it to a more nostalgic homage to Gaudio's affair with his soon-to-be-wife in the sixties.
“Squeeze Box” by The Who
Rob features the double entendre-filled hit from Pete Townshend that made it to #16 on the Billboard 100. Townshend wrote it after learning the accordion, and was surprised both that The Who recorded it, and that it was a hit.
“Never Been Any Reason” by Head East
Wayne's staff pick cranks up the 70's volume with this one-hit wonder. The song was recorded on their own label, as the band wanted to record this anthem their way.
“Dream Weaver” by Gary Wright
Brian's staff pick drifts into the Eastern-influenced music. In 1972 Wright accompanied George Harrison to India, and was inspired by the Indian culture and philosophy. Though Wright wrote the song on his guitar in about an hour, the track itself has no guitar. The song went to number 2 on the charts.
 
COMEDY TRACK:
“The White Knight” by Cledus Maggard and The Citizen's Band
We finish off this week's podcast with a CB-inspired comedy track which serves as a cautionary tale about relying too much on reports about the police from the CB radio.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.