What the Riff Next Gen

Sometimes called "the American Beatle," Harry Nilsson was cited by the Beatles as their favorite American group during a 1968 press conference.  Nilsson Schmilsson was Harry Nilsson's (known professionally as Nilsson) seventh and most commercially successful album.
Nilsson grew up without a father and was poor.  He began working early in life, and worked on computers in a bank by night, pursuing songwriting by day.  Nilsson would come to work for Phil Spector and would write for a number of artists including the Monkees and Little Richard before going out on his own.  He established a solid reputation as a songwriter through hits such as "Everybody's Talkin'" from the Midnight Cowboy soundtrack, and through pieces such as "Best Friend," the theme from the television show "The Courtship of Eddie's Father."  Nilsson was one of the few major artists of the era to achieve commercial success without ever touring.
Nilsson also established a different type of reputation, indulging in excessive drinking and drug use, and instigating with famous people to do the same.  One of the more infamous occasions was Harry Nilsson's involvement with John Lennon's "lost weekend" in the 1970's.  
Nilsson was connected to virtually everyone in the music industry and his funeral was attended by some of the biggest names.  If you haven't been acquainted with Harry Nilsson before, you may be surprised by how familiar his songs are to you.
 
Jump Into the Fire
This song has a more hard rock style than is typical of Nilsson's other work.  It gained further recognition following its inclusion as the soundtrack to a pivotal scene in Martin Scorsese's 1990 film "Goodfellas." 
Without You
This slower track was written by Badfinger and shows off Nilsson's 3-1/2 octave singing range.  Nilsson's cover went to number 1.  Mariah Carey also took a cover of this song to number 1.
Gotta Get Up
The transition from a carefree youth to adult responsibility can be a difficult one, and this song discusses that dread of facing responsibility.  You may recognize this as the "reset" song in the Netflix series "Russian Doll."  
Coconut
This calypso number was a novelty song featuring four characters (the narrarator, the brother, the sister, and the doctor) al sung in different voices by Nilsson.  The entire song is played using one chord, C7.  Nilsson wrote the word "coconut" on a matchbook during a vacation in Hawaii, thinking it would make a great lyric for a song.  He wrote the song in his car after finding the matchbook while driving in Los Angeles.
 
ENTERTAINMENT TRACK:
Finale from the motion picture "Fiddler On the Roof"
This musical comedy film was based on the Broadway musical of the same name about life in a Jewish community in pre-revolutionary Russia.
 
STAFF PICKS:
“Sunshine” by Jonathan Edwards
Rob brings us a country-folk song off Jonathan Edwards debut album.  Originally, this song was not going to be on the album, but the engineer accidentally erased the master of another song and put this one on the album instead.  It was fortuitous, because it would go to number 4 on the charts.
“Imagine” by John Lennon
Brian's staff pick is perhaps the most iconic John Lennon song.  Inspired by Yoko Ono, the song asks the listener to imagine the absence of all the things that divide us.  .
“Where Did Our Love Go” by Donnie Elbert
Bruce features this cover of a Supremes hit from 1964.  Elbert took the song to number 15 in 1971.  Donnie Elbert was a soul singer and songwriter who grew up in Buffalo.  This was one of his biggest songs.  You may also be familiar with a cover by Soft Cell, done as an outro to "Tainted Love."
“Get It On” by T. Rex
Wayne's staff pick is from the glam rock group T. Rex.  This was their only hit in the United States.  Front man Marc Bolan claimed to have written this song out of a desire to record Chuck Berry's "Little Queenie," and said that the riff was taken from that tune.
 
COMEDY TRACK:
“Shanty” by Jonathan Edwards
If you grew up in Atlanta in the 80's you will recognize this song from the 96 Rock "5 O'clock Whistle."
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

While Cracked Rear View is the debut studio album for the band, Hootie and the Blowfish had been a fixture of the Columbia, South Carolina college scene since the mid 80's.  Guitarist Mark Bryan was attending the University of South Carolina, and heard Darius Rucker singing in the dorm room showers.  They started a band called the Wolf Brothers, playing cover songs.  Bassist Dean Felber went to high school with Bryan, and original drummer Brantley Smith completed the group.  Smith would later leave the group to go into music ministry, and was replaced by Jim Sonefeld on percussion.  The group got their name from two college friends' nicknames.
Cracked Rear View is the 19th best selling album of all time in the United States, and would reach its first platinum status by January 1995, a feat that would become 21-times platinum by 2019.  The group self-published a couple of cassette demos in the early 90's, and self-released a small batch of  EP's called Kootchypop in 1993.
It is difficult to pigeonhole the genre of the band.  Some call it roots rock, some alternative rock.  It has been called jangle pop, folk rock, heartland rock, and even country.  Perhaps that last reference alludes to Darius Rucker's decision to go solo in country music later (because it was not the sound of the band).  Whatever you call it, the sound was incredibly popular in the mid-90's.  As a result, Hootie and the Blowfish won "Best New Artist" in the 1996 Grammy Awards.
There's really not a bad track on this album, folks.  The songs are tight, melodic, and well-produced, almost “anti-grunge” in comparison to another popular genre at the time.  We hope you enjoy this exploration of South Carolina's finest - Hootie and the Blowfish!
I Only Wanna Be With You
This is the third single from the album, and the biggest hit, peaking at number 6 on the US charts.  All of the band members are credited as songwriters.  Bob Dylan is also credited.  The song references several Dylan songs and in fact includes the lyrics, “putting on a little Dylan.”  Apparently after the song became a hit, Dylan's publishing company pushed legal action and settled out of court — even though they had been made aware of the lyrics beforehand and had no issues.
I'm Goin' Home
This is a deeper cut about a boy losing his mother.  "And the angel sing, sha la la la, sha la la la, I'm going home."  There's a wistfulness in a lot of these songs despite the sound being rather upbeat.
Time
The fourth single off the album peaked at number 14 in February 1996, showing how long this album remained relevant on the charts!  The lyrics are about time not being a friend. “Can you teach me 'bout tomorrow and all the pain and sorrow running free.  'Cause tomorrow's just another day and I don't believe in time.”
Let Her Cry
Darius Rucker described writing this song to KDFI Studios.  After listening to “She Talks to Angels” by The Black Crowes for the first time, and listening to a record by Bonnie Raitt, the lyrics to the song came to him in one stream of consciousness.
 
ENTERTAINMENT TRACK:
Rebel Rouser by Duane Eddy (from the motion picture “Forrest Gump”)
Tom Hanks would solidify his status as A-list and celebrity talent with his second Best Actor Oscar in a row for his role in this film.
 
STAFF PICKS:
Cruisin' for a Bruisin'  by The Reverend Horton Heat
Wayne's staff pick showcases the rockabilly style of this group who is still out touring.  The lyrics are about a couple of guys about to fight over a girl.  There's a little bit of a surfing music and a little blues style to this as well.
Prayer for the Dying by Seal
Rob brings us the haunting sound of Henry Olusegun Adeola Samuel, better known as Seal.  His song “Kiss from a Rose” would appear on the soundtrack to Batman Forever.   Producer Trevor Horn handled both this second album and Seal's debut album.
You Better Wait  by Steve Perry
Brian's staff pick is a solo effort from Journey's iconic front man.  This is from his second solo album “For the Love of Strange Medicine.”  The song is about a girl who runs away and loses herself in the city.
Come Out And Play by The Offspring
Bruce finishes our staff picks with this breakout hit from Smash, the third album by The Offspring.  "Gotta keep 'em separated" came from when front man Dexter Holland was in med school experimenting with bacteria in a cooling flask.  The phrase came to him when the samples were interacting with each other.
 
INSTRUMENTAL TRACK:
Big Sky by The Reverend Horton Heat
We go back to the rockabilly genre for this instrumental number from “the Right Reverend” to finish off this week's episode.
 
 
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Power trios were unusual in the punk and new wave scene of the late 70's, but The Police were a notable exception.    By November 1980 they were putting out their third studio album, Zenyatta Mondatta which would be the second of four albums to hit the number 1 slot in the UK, continuing their meteoric climb to super stardom on both sides of the pond.  The Police only put out five albums, a surprisingly small discography for how famous the band would become.
Drummer, Stewart Copeland formed the band with Sting and guitarist Henry Padovani originally;  with the more experienced and successful Andy Summers joining from a group called Strontium 90 a bit later.  Padovani left to join another group, and the trio began their rise to stardom.  
The Police were powered by the frenetic drumming of Stewart Copeland, guitarist Andy Summers, and front man and bassist Sting.  The band was influenced by reggae and punk origins, but also took a turn towards new wave and progressive sounds that found a substantial commercial audience
Zenyatta Mondatta was recorded quickly (in a three-week period) and released in October 1980 just before the start of their world tour.  While the band felt it rushed - they actually laid down the last track at 4:00 a.m. the day of their tour - it was received well by both critics and the public.  
De Do Do Do, De Da Da Da
“That's all I want to say to you.”  Sting wrote this as a comment on how people like simple songs.  This was the first single off the album, and actually had some interesting lyrics despite the simple sounding name - “poets, priests and politicians have words to thank for their positions.  Words that scream for your submission and no one's jamming their transmission.”
Canary in a Coalmine
This frenetic reggae song is a deeper cut, though it got its share of play on rock radio at the time.  The lyrics seem appropriate today. “You say you want to spend the winter in Firenza.  You're so afraid to catch a does of influenza.  You live your life like a canary in a coal mine.  You get so dizzy even walking in a straight line.” — could be about today!
Driven to Tears
This political song chronicles the divide between the rich and the poor, and has a jazz influence.  This is the first politically-themed song written by Sting  for the group.  Sting saw a program about starving children in Africa, and the idea that people can afford televisions but not food for children drove him to tears.
When the World Is Running Down (You Make the Best of What's Still Around)
Also written by Sting, this song reached number 3 on the Billboard charts in 1981.  It is about making lemons from lemonade in a post-apocalyptic world.  
 
ENTERTAINMENT TRACK:
The theme from the television series “Bosom Buddies”
Tom Hanks got his start on this brief series about two men who dress as women to get a spot in an all-girls' apartment complex.
 
STAFF PICKS:
Once in a Lifetime  by Talking Heads
Bruce features a well known piece co-written by David Byrne and producer Brian Eno.  It is about life passing you by.  The music reflects Afrobeat jam sessions, and the lyrics were inspired by Byrne listening to preachers delivering sermons.  The music video was created by Byrne and Toni Basil. 
Stop This Game by Cheap Trick
Wayne brings us a deeper cut with a more progressive rock feel.  George Martin (known as the 5th Beatle) produced the album from which this song is pulled.  Cheap Trick was a very popular live act in the late 70's and early 80's.  
The Logical Song  by Supertramp
Brian's staff pick is a live version of Supertramp's hit from the album "Breakfast In America."  It chronicles the disillusionment of higher education that teaches lots of things but leaves out important aspects of identity.  And of course, you can't go wrong with a sax!
Touch and Go by The Cars
Rob's staff pick is the synth-heavy debut single from the album Panorama.  John Lennon mentioned "Touch and Go" in his final interview.  He suggests that the song is a 50's song with 80's style.
INSTRUMENTAL TRACK:
The Other Way of Stopping by The Police
Stewart Copeland, Andy Summers, and Sting take us out with this instrumental track from "Zenyatta Mondatta."  The name comes from a Bob Newhart comedy skit.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Courtney Love's band Hole released their second album, Live Through This one week after the death of Kurt Cobain, Love's husband and front man for the grunge giant Nirvana.  Hole originated in the punk rock scene, but are often identified with the grunge movement due to Love's relationship with Cobain and their move to Washington to write this album.
In addition to frontwoman Love, the band consisted of Eric Erlandson on lead guitar, Kristen Pfaff on bass, and Patty Schemel on drums.  Love and Erlandson wrote the songs, and Pfaff and Schemel were newcomers to the group, replacing bassist Jill Emery and drummer Caroline Rue who had left over creative differences.
The album was noted for a toned-down and more melodic approach to things than their debut effort.  Themes of the album would revolve around aspects of Courtney Love's personal life, including relationships, motherhood, and post-partum depression.  A controversy that plagued the album was that much of the work was ghost-written by Kurt Cobain.  Band members and producers have consistently denied this, though it is perhaps understandable how a rumor like this would get legs, following on the heels of Cobain's suicide.  The only connection between Cobain and the album was that he sang backing vocals on a couple of songs when they were in the recording studio.  In fact, many of the tracks were performed during Hole's previous tour.
While Live Through This is considered more melodic than their previous album, that is a relative measure - the album itself is still quite raw and gritty.  That didn't keep it from becoming a critical and popular success, going multi-platinum by December 1994.  Unfortunately, drummer Pfaff would not live to see this feat, having died of a heroin overdose in June, just before Hole was supposed to embark on a world tour.  
Courtney Love would continue through several iterations of Hole, and pursue songwriting, acting, a writer of multiple manga volumes and a memoir.
 
Violet
This song is the opening track for the album.  It was inspired by Love's relationship with Billy Corgan of the Smashing Pumpkins, just prior to her relationship with Cobain.  Love said this song was "about a jerk, I hexed him, and made him lose his hair."  
Miss World
The second track on the album was the first single.  It is about a person who is loved by everyone, but is empty inside and drowning in depression.  "I'm Miss World.  Somebody kill me."
Asking For It
This deeper cut is about rape.  Love talked about a time when she would stage dive, and found her clothes ripped off.  Love felt like she was raped by the audience.  Love's life and upbringing was a tumultuous one, with rebellion, drugs, and broken family relationships.
Doll Parts
The second single from the album is likely the best known one.  It reflects her insecurity with Kurt Cobain.  Love and Cobain both went into rehab when Love was pregnant.  Unfortunately Cobain would run away from the rehab center shortly before his suicide.
 
ENTERTAINMENT TRACK:
Theme from Space Ghost for “Space Ghost Coast to Coast”
This comedy spoof of a late night talk show was the first original series produced by the Cartoon Network.
 
STAFF PICKS:
“Player's Ball” by OutKast
Brian brings us Southern Rap from Atlanta's own OutKast.  The song discusses living in the south and living in the hip hop culture.  This is off OutKast's debut album entitled "Southernplayalisticadillacmuzik."
“Rocks” by Primal Scream
Bruce's staff pick is off Primal Scream's fourth album "Give Out But Don't Give Up."  Bobby Gillespie and Jim Beattie originally formed this Scottish rock band with a psychedelic sound, but went more classic rock and blues with this album.
“Found Out About You” by the Gin Blossoms
Rob's staff pick features the fourth single from the Gin Blossoms' second album, “New Miserable Experience.” The Gin Blossoms formed in Tempe Arizona in 1987, and were identified as alternative rock and “jangle pop.”  The name comes from a picture of W.C. Fields describing his ruddy complexion. 
“Because the Night” by 10,000 Maniacs
Wayne's pick features a cover originally performed by The Patti Smith Group from 1978.  Natalie Merchant fronts 10,000 Maniacs in an Unplugged version  of this classic written by Patti Smith and Bruce Springsteen
 
INSTRUMENTAL TRACK:
Main Theme from the motion picture “Bad Girls”
This instrumental was the soundtrack from a western featuring Madeliene Stowe, Andie MacDowell, and Drew Barrymore.
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NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Today Ozzy Osbourne is a household name, and arguably this debut album is where it all started.  Before Blizzard of Ozz was released, Ozzy had been fired from his position as front man for the heavy metal band Black Sabbath, and he was certain that he would “go back to Birmingham and the Dole” after that.  However, Don Arden, Black Sabbath's manager, had hoped that Ozzy would return to the group, and signed him to Jet Records to record new material in Los Angeles.  He sent his daughter to look after Ozzy and "protect his investment."  That daughter was named Sharon Arden...and would soon be famous in her own right as Ozzy's wife and manager.
This album was originally intended to be a super group called Blizzard of Ozz, with Ozzy (born John Michael Osbourne, but known as Ozzy since elementary school) on lead vocals, Don Airey (Rainbow) on keyboards, Bob Daisley (Rainbow) on bass, Lee Kerslake (Uriah Heap) on percussion, and virtuoso Randy Rhoads (Quiet Riot) on lead guitar.  The band was surprised and upset to find that they had been relegated to "Ozzy's band" when the group name became the title of this solo album.
Blizzard of Ozz was released in the UK in September 1980, and in the US in March 1981.  It would go on to 4x platinum status, and would be Ozzy Osbourne's best selling solo album.  
And now, for those of you who are ready to hear from The Prince of Darkness, the Godfather of Metal himself, in his prime - “ALL ABOARDDDDDDD!  heh-heh-heh-heh!”
 
Crazy Train
While this song is a classic and staple of metal, it took some time for this first single to achieve that status.  It peaked at number 9 on the Billboard charts in July 1981.  It is about the cold war - "Hears of a cold war, that's what we've become.  Inheriting troubles, I'm mentally numb."
Mr. Crowley
The second single from the album was a lot less well known outside of rock radio at the time.  It is about Aleister Crowley, who was an English occultist and magician from the early 20th century.  Ozzy had read a book about Crowley and was inspired to write a song by that and a deck of tarot cards they found in the studio.  The guitar solo from this piece is a famous one by Rhoads, who would be killed in a plane crash in 1982.  Mr. Crowley and Crazy Train were the only singles released from the album.
Goodbye to Romance
This slower-paced song was the first track written for the album, and was Ozzy's way of saying goodbye to his former band.  Black Sabbath fired Osbourne in April 1979, claiming that he was "unreliable and had excessive substance abuse issues compared to the other members."  
I Don't Know
The opening track from the album was surprisingly not released as a single.  However, it did get considerable airplay on rock stations regardless.  Some suggest that this song was also about Osbourne's departure from Black Sabbath, but the lyrics sound more like a plea to not expect answers to serious questions from rock and roll singers.
 
ENTERTAINMENT TRACK:
Theme from the animated TV series “Thundarr the Barbarian”
This staple of Saturday morning animated action shows made its debut in 1980, predicting cosmic destruction in 1994.
 
STAFF PICKS:
“Rough Boys” by Pete Townshend
Wayne brings us a side project from the Who's Pete Townshend.  "Rough Boys" is off his second solo album, but this one sounds just like the Who.  It is dedicated to the Sex Pistols, and Stephen Thomas Erlewine of AllMusic described it as a "blistering punk love letter."
“Another One Bites the Dust” by Queen
Rob's staff pick spent 15 weeks on the top 10, making it the longest running top-10 song of 1980.  This song has a number of sound effects, but there are no synthesizers used to make the song.  "Another One Bites the Dust" was considered for the Rocky III film, but ended up being "Eye of the Tiger" by Survivor when things fell through on "Dust."  
“Sometimes a Fantasy” by Billy Joel
Brian features one of many hit singles off Joel's "Glass Houses."  The song is about erotic phone call lines - 900 numbers.  Joel was careful with the lyrics he chose to avoid issues with censors and moral advocacy groups.
“Late in the Evening” by Paul Simon
Bruce's staff pick is the lead single off Simon's fifth studio album and semi-autobiographical movie "One Trick Pony."  Dummer Steve Gadd is playing with two pairs of drumsticks in each hand to give the percussion a fuller feeling.  According to Songfacts, the lyrics are based on a drwam that Simon had when he was a teenager of being a rock star.
 
INSTRUMENTAL TRACK:
“Behind My Camel” by The Police
This instrumental track from the 1980 album release, Zenyatta Mondatta was written by Andy Summers, but hated by Sting and Stewart Copeland.  Summers plays both lead guitar and bass on this track, because Sting opted out.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

There are only a handful of bands who seem to jump fully formed onto the scene from their debut album, and one of these is certainly Lynyrd Skynyrd with their debut studio release (Pronounced 'Lĕh-'nérd 'Skin-'nérd).  Lynyrd Skynyrd is arguably the band that defines Southern rock.  Originally formed as “My Backyard” in 1964, the group would take the name “Lynyrd Skynyrd” in 1969, taking the name of a PE teacher (Leonard Skinner) at Robert E. Lee High School — a teacher whose strict enforcement of school policies against boys having long hair resulted in guitarist Gary Rossington dropping out of high school.  In addition to guitarist Rossington, the band consisted of front man Ronnie Van Zant, guitarist Allen Collins, guitarist and bassist Ed King, keyboardist Billy Powell, and drummer Bob Burns.
Despite the jam band feel from songs like “Freebird,” the band itself went into the studio with their songs quite perfected, and no improvisation was allowed.  The album itself is terrific, and the band vaulted into an incredible popularity after opening for The Who during their Quadrophenia tour.
Skynyrd would produce five studio albums before tragedy struck in a plane crash in 1977 that killed Van Zant, Steve Gaines, Cassie Gaines, assistant road manager Dean Kilpatrick, and the pilot and co-pilot.  Other members of the band would suffer serious injuries.
FOTS Bill Cook brings us this iconic Southern Rock album, which happened to be the first album he ever owned.
 
I Ain't the One
The opening track from the album was written by Gary Rossington and Ronnie Van Zant.  It tells a story of a rich girl "tryin' to put a hook on me" when she was found to be pregnant, but "you know and I know, woman, I ain't the one."
Gimme Three Steps
The lyrics that Ronnie Van Zant penned for this well known tale are a true story.  Ronnie Van Zant had a fake ID, and made the rest of the band stay in the car while he went into The Little Brown Jug in Jacksonville, Florida.  He was confronted by a man with a loaded 44 after dancing with his wife, Linda Lou.  Van Zant ran out to the car and wrote the lyrics on the way back to their studio.
Things Goin' On
This deeper cut is appropriate for today.  It is influenced by the Muscle Shoals sound, and has a great honky tonk keyboard sound.  The song is a warning about social and environmental issues, and the politicians' uncaring attitudes.  
Tuesday's Gone
A slower cut, this song has become iconic over time.  Stories regarding the meaning of the lyrics conflict to a great degree.  Some say it is about a girl who was left behind, while others say it is about a lifestyle that was lost as the band became famous.  "Train roll on many miles from my home, see, I'm riding my blues away.  Tuesday, you see, she had to be free but somehow I've got to carry on."
 
ENTERTAINMENT TRACK:
“Rock Around the Clock” by Bill Haley and the Comets
This song was part of the movie "American Graffiti," debuting in the theaters in August 1973
 
STAFF PICKS:
“Why Should I Care” by Beck, Bogert, & Appice
Bruce features a supergroup formed by Jeff Beck, Tim Bogert (bassist for Vanilla Fudge, Cactus), and Carmine Appice (drummer for Vanilla Fudge, Cactus, and Blue Murder).  The song was written by Raymond Louis Kennedy, who also wrote "Sail On, Sailor" for The Beach Boys and "Isn't It Time" by The Babys.  
“Half Breed” by Cher
Rob brings us a song about a biracial girl with a white father and a native American mother, and the lack of acceptance she found from both races.  Cher had some Cherokee ancestry on her mother's side.
“I Found Sunshine” by The Chi-Lites
Wayne's staff pick brings us the soulful sound of The Chi-Lites from Chi-town — Chicago.  They were going to name the band "The Hi-Lites," but decided to make it "The Chi-Lites" in homage to their Chicago.  The band charted 21 songs on the hot 100 throughout their career.
“Bad, Bad Leroy Brown” by Jim Croce
Bill brings the staff picks home with acclaimed singer-songwriter Jim Croce's first hit.  Leroy made a pass at Doris, and her husband beat him up.  Leroy Brown was based on a guy that Croce met in the army.  He went AWOL from the army, but was arrested when he came back for his check.  Croce knew after listening to him that he would write a song about him one day.
 
COMEDY TRACK:
“Uneasy Rider” by The Charlie Daniels Band
Continuing the storytelling theme, the late, great Charlie Daniels tells a story about getting stranded in a red neck bar in Mississippi.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Who is the finest rock band to come out of Winnipeg, Canada?  That's right, The Guess Who.  In January 1970 they released their sixth studio album, American Woman, and were riding the wave of one of their most commercially successful albums in March.  This album took a harder rock direction from their formerly psychedelic and pop sound, and would produce their only number 1 hit in the US, making them the first Canadian band to top the American Hot 100 chart.
The Guess Who got their name in 1965 when their record label, Quality Records, released a single under the name “Guess Who?”  They were attempting to build a buzz that the song might be a famous band recording incognito, but the name stuck.  At the time of recording American Woman, the group consisted of Burton Cummings on lead vocals, keyboards, and harmonica, Randy Bachman on lead guitar, Jim Kale on bass, and Garry Peterson on drums.  All band members contributed backing vocals to the strong harmonies of the group.  This album would be Randy Bachman's last with the group (until rejoining in 1983), as he would go on to form Bachman-Turner Overdrive.
Friend of the show Bill Cook stands in for the vacationing Brian Dickhute as we look back on one of Canada's greatest rock bands.
 
 
No Time
This first single off the album is a reverse “Dear John” letter.  The song was originally on their album “Canned Wheat,” but made a reappearance on this album with a faster tempo.  “Seasons change and so do I, you need not wonder why.  There's no time left for you.”
American Woman
This title song may be their best known of The Guess Who songs.  Randy Bachman started this riff while tuning his guitar during a concert after breaking a string, and turned it into a chart-topping hit.  The lyrics reflect the differences between girls in the States and girls in Canada.  American women were considered “dangerous” by the band.  
8:15
This deeper cut is talking about meeting at a place at 8:15.  We enjoyed the jangley guitar and the drum break in this one.
No Sugar Tonight
This track was the B-side from the American Woman single.  Randy Bachman had written a song called “No Sugar Tonight,” and Burton Cummings thought it was too short.  They added a Cummings song that was “New Mother Nature” to lengthen it.  “No Sugar Tonight” was inspired when Bachman saw a tough biker berated by his wife, and she shouted out the final line “And one more thing...you ain't gettin' no sugar tonight!”
 
ENTERTAINMENT TRACK:
The Intro to ABC's “Wide World of Sports”
The event that came to be known as “the agony of defeat” occurred this month when Vinko Bogataj crashed during a ski jump attempt.
 
STAFF PICKS:
Celebrate by Three Dog Night
Bruce's staff pick peaked at number 15, and is off Three Dog Night's second studio album called "Suitable for Framing."  There are three vocalists for Three Dog Night, and they're all taking lead on this song.  Danny Hutton is on lead in verse 1, Chuck Negron is on lead in verse 2, and Cory Wells is on verse 3.  The song also features the Chicago horn section.
Love Grows (Where My Rosemary Goes) by Edison Lighthouse
Wayne features a group with Tony Burrows on lead.  Burrows would have three hits fronting three different bands - Edison Lighthouse, White Plains, and Brotherhood of Man.
Let  It Be by The Beatles
Friend of the show Bill Cook brings us this timeless epic song from the final days of The Beatles.  McCartney wrote this song during a time when the rest of his band members were moving on with their lives, and Paul wasn't sure where his life was going.  In a dream his mother - named Mary - comes to him and says, "let it be."
(editors note:  it looks like Bruce was wrong about Ringo Starr living in Atlanta.  He has homes in London, Los Angeles, and Monte Carlo, so don't look for him in Buckhead!)
Always Something There to Remind Me by R.B. Greaves
Rob's staff pick was authored by Burt Bacharach and Hal David.  R.B. Greaves recorded this version at Muscle Shoals, and took it to number 27.  Most people are probably more familiar with the Naked Eyes version from 1983, which took the song to number 20.
 
LAUGH TRACK:
Do the Funky Chicken by Rufus Thomas
Nothing finishes off a great podcast quite like doing the funky chicken!
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

With their third studio album Aerosmith really came into their own.  Toys in the Attic would be their most commercially successful studio album in the United States, and would spawn two enduring rock anthems.  
Aerosmith came out of Boston in 1970 with Steve Tyler on lead vocals and harmonica, Tom Hamilton on bass, Joe Perry on guitar, Brad Whitford also on guitar, and Joey Kramer on drums. 
Toys in the Attic was immediately successful and made Aerosmith into international stars.  Their first top 40 hit, "Sweet Emotion," came off this album, and its success encouraged listeners to check out the previous Aerosmith albums, bringing them back onto the charts.  
Flamboyant front man Steve Tyler was often compared with Rolling Stones frontman Mick Jagger, but the resemblance did not carry over to the music.  Aerosmith would tact closer to Led Zeppelin than to the Stones, and would carry high energy vocals and a more funky rock sound.
If you're ready for some hard rocking mid-70's jams, then “WALK THIS WAY!”
 
Toys in the Attic
This driving title track refers to someone who is completely crazy - similar to phrases like bats in the belfry, or an elevator that doesn't stop on all floors.  "Leaving the things that are real behind, leaving the things that you love from mind."
Walk This Way
This iconic song about a teenage boy losing his virginity to a promiscuous cheerleader got its name from a scene in the Mel Brooks comedy "Young Frankenstein."  This track was where Aerosmith really exploded onto the scene.  The lyrics are almost a rap with their speed, and it would become a true rap song with Run D.M.C.'s cover.
Big Ten Inch Record
A throwback boogie written in 1952 by Bull Moose Jackson, the double entendre actually refers to vinyl records which were originally 10-inch, 78 rpm.  Aerosmith kept the cover faithful to the original big band feel.  Steven Tyler's harmonica work is prominent in this track.
Sweet Emotion
Another epic track, the lead "talking guitars" announce something different.  The song expresses Tyler's frustration with the band and tensions with the band member's wives and girlfriends.  This is one of the songs that Van Halen covered in their early days.  
 
ENTERTAINMENT TRACK:
Theme from the television series “Kung Fu”
David Carradine was Kwai Chang Caine, a refugee from China in the American west in the television show, which ended in this month.
 
STAFF PICKS:
“Don't Call Us, We'll Call You” by Sugarloaf
Wayne's staff pick was inspired by the experience of the band with CBS records.  No one would call them back.  After they became famous, they turned the tables on the record companies who now wanted to talk to them.  You'll hear riffs from The Beatles and Stevie Wonder embedded in the song.
“Amie” by Pure Prairie League
Bruce features a breakup song originally released on their second album in 1972.  It did not do well when first released, but gained popularity as an album cut on college radio stations, and was re-released as a single in 1975.  On the original album the song is preceded by a short song entitled "Falling In and Out of Love," which is reprised at the end of "Amie."  You occasionally hear these together on the radio.
“Philadelphia Freedom” by Elton John
Rob's staff pick was a single without an album when it came out.  Elton John was friends with Billie Jean King, who was part of the Philadelphia Freedoms professional tennis team at the time.  This song was written as a tribute to her and the team.  "'Cause I live and breathe this Philadelphia freedom."  
“No-No Song” by Ringo Starr
Brian brings us a lighthearted song from the former Beatle drummer, giving us a whimsical anti-drug message.  "No, no, no, no, I don't smoke it no more...I'm tired of waking up on the floor!"
LAUGH TRACK:
“Dynomite” by Tony Camillo's Bazuka
We finish off this week with a track inspired by "Good Times" and J.J. Walker's catch phrase.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Introducing Herman’s Hermits is the the debut album for the band Herman’s Hermits.  Front man Peter Noone was an actor on "Coronation Street," a British TV soap opera.  The resemblance between Noone and a character named Sherman (from the Rocky and Bullwinkle cartoon) was noted, and this name was shortened to "Herman."  The group would start using the name "Herman and His Hermits," and this was also shortened to "Herman's Hermits."
Herman's Hermits were a part of the British Invasion of the early 60's, which included acts like the Dave Clark 5, The Merseybeats, and of course The Beatles.  In fact, the group was curated to appeal to American audiences, with a non-threatening clean cut image very different from that of other rock bands like the Rolling Stones and The Who.  In addition to their music, the band also appeared in several MGM-produced movies at the time, including the 1968 film, "Mrs. Brown You've Got a Lovely Daughter."  
This was a very popular band in the early 60's, posting 12 top-10 songs by the middle of the decade.  By 1968, however, music tastes had changed, and Herman's Hermits lost popularity in the United States.  They did see a resurgence in the 80's, and toured in the oldies circuits at the time, though with a different lead singer since Peter Noone left the band in 1971.
Peter Noone still tours today, and this would be a great act to catch when he comes to your town. 
 
Mrs. Brown, You've Got A Lovely Daughter
The English accent is exaggerated in this song, a departure from the more common attempts to downplay accents.  "Make a bloke feel so proud!"  This was not intended to be a single, but it went to number 1 on the charts.  The Chipmunks covered this song in 1965 as well.
Show Me Girl
This deeper cut was co-written by Carole King and went to number 19 in the UK.  "So if you really care and you're not just wasting my time, come on and show me girl."
Henry the 8th
Another song that promotes the English accent, the name is pronounced, "En-e-ry" in the Cockney style.  It is a 1910 British music hall song, but in 1965 it became the fastest-selling song in history.  Herman's Hermit took it to number 1, beating out the Rolling Stones "Satisfaction."  Interestingly, this is not about Henry VIII, king of England, but about the 8th Henry to marry the widow next door.
I'm Into Something Good
This is another song penned by Gerry Goffin and Carole King, it is surprising that it only reached number 13 despite its enduring popularity.  King was inspired by the work of The Beach Boy's Brian Wilson when she wrote this song.  It tells of a new love.
 
ENTERTAINMENT TRACK:
Theme from the television series “Lost In Space”
This science fiction series was playing at the time.  "Danger, Will Robinson!"
 
STAFF PICKS:
“The Boy from New York City” by The Ad Libs
Bruce brings us a doo-wop quintet from Bayonne, New Jersey.  Though they continued to record into the 80's, The Ad Libs would only post this hit at number 8 from February 1965.  The Manhattan Transfer took a cover version to number 7 in 1981.  And The Darts took it to number 2 in the UK in 1978.
“You've Lost That Lovin' Feelin’” by The Righteous Brothers
Rob's pick also features a song well known from its cover version, this time from 1980 by Hall & Oates.  According to BMI the original and/or its cover versions was the most played song on American radio and TV for 22 years until 2019, when it was usurped by Sting's “Every Breath You Take.”
“All Day and All of the Night” by The Kinks
Brian's staff pick was influenced by a previous Kink's song “You Really Got Me.”  In turn, it also heavily influenced The Doors “Hello, I Love You.”  A young session guitarist, Jimmy Page, is rumored to have played on it, though Davies denied it.
“The Midnight Special” by Johnny Rivers
Wayne also brings us a song better known by its cover, this time covered by Credence Clearwater Revival.  Johnny Rivers had this folk song in the top 20 in 1965, but the original was recorded in 1905.  It talks about the dreams of prisoners to be on the midnight train.
 
COMEDY TRACK:
“Jolly Green Giant” by The Kingsmen
This comedic track is based on the Jolly Green Giant of green beans fame.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Although commonly called Chicago II, this album is technically the first Chicago album because their first album was under the name The Chicago Transit Authority.  They changed their name in 1969 under pressure from the municipal governmental body called the Chicago Transit Authority.
Chicago II is a double album, full of jams and their trademark horns.  The first four albums would all be double albums.  We're going to feature two songs from this album, although one is actually a seven part song cycle with at least two parts you will identify as well known singles.
Chicago is: Peter Cetera on bass and vocals, Terry Kath on guitar and vocals, Robert Lamm on keybards and vocals, Lee Loughane on trumpet and flugelhorn, James Pankow on trombone, Walter Parazaider on saxophones and flute, and Danny Seraphine on drums.
Chicago describes itself as “rock and roll with horns,” though it is a fusion of many types of music, part hard rock, part jazz, part prog rock, part soft rock, maybe even a little classical music for good measure.  Whatever you call it, we enjoy the variety and depth, and hope you will too.
 
Ballet for a Girl in Buchanan
This is a seven movement song cycle written by trombonist James Pankow.   The namesake girl is Terry Heisler, Pankow's ex fiancee who was attending West Virginia Wesleyan College in Buckhannon, West Virginia at the time.  Pankow wrote the piece in an attempt to get her back, and also because of his inspiration from classical music song cycles.
Movement 1:  Make Me Smile
Terry Kath is on lead vocals for this movement.  You have likely heard the single on the radio, which is created by splicing the first movement and the last movement together.
Movement 2:  So Much to Say, So Much to Give
This movement features Robert Lamm on lead vocals.
Movement 3:  Anxiety's Moment and Movement 4:  West Virginia Fantasies
The third and fourth movements are instrumental tracks, and rather straightforward prog rock concepts.
Movement 5:  Color My World
Terry Kath returns to lead vocals on a piece that should be familiar as its own single.  Frank Sinatra supposedly wanted to record a version of the song if Pankow would write an additional verse.  Pankow declined, so we have the song as a long piano intro, one verse, and a flute solo.
Movement 6:  To Be Free
This instrumental has a distinct 1970's feel to it, and builds to the final movement.
Movement 7:  Now More Than Ever
The final movement is a reprise of the theme from the first movement, Make Me Smile.  You will recognize this from the single.
25 or 6 to 4
We can't do a Chicago album without catching Peter Cetera on lead vocals somewhere.  Robert Lamm wrote this song about trying to write a song in the middle of the night - 25 or 26 minutes before 4 a.m. (who really knows?)
 
ENTERTAINMENT TRACK:
Theme from "M*A*S*H" 
The motion picture M*A*S*H appeared in January 1970.  Only one of the actors from the motion picture would reprise his role in the television series - Gary Rich Burghoff, aka Radar O'Reilly.
 
STAFF PICKS:
“My Baby Loves Lovin'” by White Plains
Wayne's staff pick is a bubble gum pop hit from the one hit wonder group, White Plains.  “She's got what it takes, and she knows how to use it.”  Lead vocalist Tony Burrows had 5 hits, all with different one hit wonder groups.  
“Come Together” by The Beatles 
Rob features the well-known psychedelic hit from the Fab Four.  It was inspired by a request from Timothy Leary to write a campaign song for his California gubernatorial run against Ronald Reagan.  While Lennon couldn't come up with a campaign song, he did create this one using a Leary quote — “come together.”
“Up On Cripple Creek” by The Band
Brian's cranks up the swamp rock that references his hometown Lake Charles, Louisiana.  Robbie Robertson wrote this song about a mountain man and a girl named Bessie.  “A drunkard's dream if I ever did see one!”
“I Want You Back” by the Jackson 5
Bruce's staff pick introduces the first hit from the kid who would become the King of Pop.  This would start a string of 4 singles what would be consecutive number 1 hits.
 
INSTRUMENTAL TRACK:
“969 (The Oldest Man)” by The Guess Who
We wind up this week's episode with an instrumental blues number from the album American Woman.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

I can tell what you're thinking:  really, What the Riff?  The Go-Go's?  That's not rock, that's pop!  Well we'll agree that their debut album Beauty and the Beat was quite popular, but the group has its roots in the punk movement, not pop music.
With Belinda Carlisle on lead vocals, Charlotte Caffey on lead guitar and keyboards, Gina Schock on percussion, Kathy Valentine on bass, and Jane Wiedlin on rhythm guitar, The Go-Go's were the first and (so far) only all female band to hit the top of the charts writing their OWN songs and playing their OWN instruments.
Their inspiration comes from punk stalwarts like Iggy Pop and The Sex Pistols, and the band was formed before the members actually knew how to play their instruments.  They established a reputation in the L.A. punk scene and were eventually signed by I.R.S. Records.  Beauty and the Beat combines Punk sensibilities with the upcoming New Wave sound of the early 80's, and the result was both critically and popularly well received.  The Go-Go's would be nominated for the Best New Artist Grammy in  1982, and Beauty and the Beat would spend 6 weeks atop the Billboard 200 chart.
So it is OK to rock out to The Go-Go's.  But don't worry if you're embarrassed.  We won't tell.  Our lips are sealed!
 
We Got the Beat
This is the song that started it all for The Go-Go's.  Penned by guitarist and keyboardist Charlotte Caffey, it gained popularity as a demo in the UK in 1980.  They were invited to tour with the group Madness at that time, and it's distinctive percussion beat is iconic.
Our Lips Are Sealed
“Pay no mind to what they say.  It doesn't matter anyway.”  This was the first track on the album and the lead U.S. single.  It's pop orientation is also atypical for the group, and The Go-Go's were unenthusiastic about doing the video.  The perky, fresh image was very different from their roots.
Can't Stop the World
This deeper cut sounds a little more new wave than the hits off the album.  Kathy Valentine's bass licks are prominent on this track.  The lyrics are good advice for today.  “Things will be alright.  Can't stop the world.”
Automatic
This minor key track has a mysterious vibe to it.  This song is played in the background on a documentary on The Go-Go's discussing the darker side of the group.  There are some cool pauses in the middle of this track.
 
ENTERTAINMENT TRACK:
The William Tell Overture (Main Theme from "The Legend of the Lone Ranger")
One of the biggest box office failures hit the cinemas this month, and both the star and director of the movie would not respectively act and direct again.
 
STAFF PICKS:
Swords & Tequilla  by Riot
Wayne's staff pick cranks out the rock.  Heavy Metal band Riot is out of New York City, and unfortunately didn't catch the fame that later hair bands would gain.  This is from their album Fire Down Under.  The lead singer was killed in Atlanta when shot during an attempted carjacking. 
Ain't Even Done with the Night by John Cougar
Brian brings us an early hit from the album “Nothin' Matters, and What If It Did” by John Cougar.  Cougar - soon to revert back to John Mellencamp - was an observational writer, and so his songs are not autobiographical.  “It's time to go home, and I ain't even done with the night.”
Find Your Way Back   by Jefferson Starship
Bruce's staff pick is off Modern Times, the sixth album by Jefferson Starship, and the second with Mickey Thomas on lead vocals.  This song is about regret at leaving a relationship.  The chorus comes back to the theme, “find your way back to her heart.”
Somebody's Knockin'  by Terri Gibbs
Rob finishes us off with a crossover country song from from talented and blind Georgia native Terri Gibbs.  This song hit number 13 on the pop charts.  “Lord it's the devil, would you look at him?  I've heard about him, but I never dreamed he'd have blue eyes and blue jeans.”
 
INSTRUMENTAL TRACK:
Primera Invasion by Santana
This instrumental track showcases the talents of Carlos Santana, who had an album on the charts at the time.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The Allman Brothers Band recorded their third album live in March 1971 over two days.  At Fillmore East would become their breakthrough album,  filled with enough blues-rock jams  to make it a double, despite the fact that there were only seven songs in total.  Brothers Duane and Gregg Allman realized that their strength was rooted in their live shows, and determined that the best showcase for them would be a live album.
The band features Gregg Allman on vocals, piano, and organ, Duane Allman and Dickey Betts on guitars, Berry Oakley on bass guitar, and Butch Trucks and Jai Johanny Johanson on percussion.  The band was unusual in having both two lead guitar players and two percussion players.
At Fillmore East went gold about 3 months after its release.  Unfortunately, Duane Allman died in a motorcycle accident in Macon at the height of the album's popularity in October 1971.   Only 13 months later bassist Barry Oakley also died in a motorcycle accident only 3 blocks away from the place where Duane had died.  
Friend of the show Andy Burt features this classic album.
 
Statesboro Blues
This track opens the album, and was written in 1928 by Blind Willie McTell.  The blues group Taj Mahal recorded a version of the song in 1968, and this inspired Duane Allman to perform the song and to play it on the slide guitar.  The slide Allman used was a glass vial originally containing cold medicine!
Hot'lanta
This instrumental song is a deeper cut that gets its name from a nickname for Atlanta.  Gregg and Duane Allman got their start in Hourglass (which we previously featured), but were not well suited to work in a pop group.  Hot'lanta was never recorded in a studio, but was only recorded live.
In Memory of Elizabeth Reed
Another instrumental, this song was a jam based off a track from their second studio album.  You get a sense of their jazz influences here, both from Miles Davis and John Coletrane.  The song was written for a girl with whom Dickie Betts had an affair.  Not wanting to name her, Betts took the name from a tombstone in the Rose Hill Cemetery in Macon, Georgia.
Whipping Post
Perhaps the most famous track on the album, Whipping Post takes up an entire album side.  Jerry Oakley wrote the riff, and Gregg Allman wrote the lyrics.  The idea is of a man betrayed  by a woman who feels completely helpless.  The complex meter is unusual for a blues rock band, and shows the versatility and fusion characteristics of the band.  
 
ENTERTAINMENT TRACK:
The theme from the motion picture “Shaft” by Isaac Hayes
Who is the man that would risk his neck for his brother, man?  (Shaft)  Can ya dig it?
 
STAFF PICKS:
“Hot Pants” by James Brown
Brian keeps the music Georgia-based with his staff pick from the Godfather of Soul.  The official name of this song is "Hot Pants (She Got to Use What She Got to Get What She Wants)," and this is part 1 of a 3-part funk song.  Parts 2 and 3 appeared on the B-side of the single for part 1.  
“Love the One You're With” by The Isley Brothers
Rob brings us a soulful cover of the Stephen Stills song you've likely heard before.  The Isley Brothers would take this version to number 3 on the R&B charts, and it was their 5th top 40 single. The Isley Brothers got their start in the 50's, and brought a fusion approach to gospel harmonies.
“Smiling Faces Sometimes” by The Undisputed Truth
Wayne's staff pick continues the soulful tact with this psychedelic soul production.  The Undisputed Truth was known for their unusual costumes and makeup, predating the glam-rock trend.  Beware of the handshake that hides the snake.  Can you dig it?
“Riders on the Storm” by The Doors
Andy finishes off the staff picks with this song inspired by “Ghost Riders in the Sky.”  The dark lyrics were inspired by serial killer Billy Cook, who killed six people while hitchhiking in California.  This single was released just before Jim Morrison died in Paris.
 
INSTRUMENTAL TRACK:
“K-Jee” by The Nite-Liters
This instrumental hit was on the charts at the time, and would make a re-appearance on the disco motion picture “Saturday Night Fever.”
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In 1977 Leonard Mogel began publishing a dark, illustrated, steampunk, and somewhat erotic science fiction and fantasy magazine called Heavy Metal, and in 1981 an adult animated sci-fi fantasy film by the same name was produced by Mogel and Ivan Reitman.  The film would become a mainstay of the midnight movie circuit (along with “the Rocky Horror Picture Show”) throughout the 1980's, and would also lead to a hit album which would peak at number 12 on the Billboard 200 chart.
The movie mirrors a comic book, in that it strings together a number of shorter vignettes into an entire animated movie.  The shorts are loosely held together by the frame of the Loc Nar, an orb that is the ultimate evil.
Filled with terrific rock tracks, the soundtrack would become mired with legal issues, causing the CD to not be released until 1995.  If you wanted to hear it before that, you needed to buy the LP.
We're only giving you a taste of this album, folks.  You really should download and listen to it in its entirety.  
Friend of the show Andy Burt stands in for Bruce in this one way ticket to midnight.
 
Heavy Metal (Takin' a Ride) by Don Felder
This is the title track by once and future Eagles alumnus Don Felder.  Fellow Eagles alumni Don Henley and Timothy B. Schmit also contribute backing vocals. The track would be the only Felder solo effort to chart, appearing at number 43.  The music is associated with the film episode entitled B-17. 
Veteran of the Psychic Wars by Blue Oyster Cult
Penned by Eric Bloom and British author Michael Moorcock, this song appears in the story entitled Harry Canyon.  John Candy voices the Sergeant in this segment. The song itself reflects a futuristic soldier exhibiting PTSD.    
Heavy Metal by Sammy Hagar
“Headbangers in leather!”  This song was written for the movie.  “It's a one-way ticket to midnight!  Cal it - Heavy Metal.”  This iconic track is played in the segment called So Beautiful & So Dangerous.
The Mob Rules by Black Sabbath
The short entitled Taarna contains this track.  Ronnie James Dio is the front man for this iteration of Black Sabbath.  "If you listen to fools, the mob rules."  This is the concluding vignette from the film.
“Reach  Out” by Cheap Trick
Wayne  doubles up with his out-of-order staff pick, from the Heavy Metal Soundtrack.  This track also takes place in the Taarna vignette.
 
ENTERTAINMENT TRACK
“Bad Moon Rising” by Credence Clearwater Revival
"An American Werewolf in London" was on the big screen at this time, with some amazing special effects in this day.  CCR contributed this song as the theme of the film.
 
STAFF PICKS:
“Gemini Dream” by The Moody Blues
Brian's staff pick comes from a synthesizer heavy hit from prog rock superstars The Moody Blues.  It hit number 12 on the charts, and comes from their album "Long Distance Voyager."   Justin Hayward and John Lodge co-wrote this song. 
“Really Wanna Know You” by Gary Wright
Rob brings us another synth-heavy hit from the artist best known for "Dreamweaver."  Wright worked closely with ex-Beatle George Harrison, and developed an affinity for eastern religion which permeates his music.
“Hold on Tight” by E.L.O.
Guest Andy finishes off our staff picks with this somewhat Rockabilly boogie number 2 charting track from the Electric Light Orchestra.  It is off their sci-fi themed album “Time.”  At the time, it was the most expensive video produced.  Interestingly, it only hit number 24 in France despite the fact that it has french lyrics in the song.
 
COMEDY/INSTRUMENTAL TRACK:
“Birdy Song” by The Tweets
Bruce gets blamed for this comedy song choice to finish off an otherwise awesome podcast.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

We’re headed back down under this week with Australian group Hoodoo Gurus and their third album, Blow Your Cool!  The Gurus formed Sydney in 1981 under songwriter, guitarist, and lead singer Dave Faulkner. The group was fleshed out by Richard Grossman on bass, Mark Kingmill on drums, and Brad Shepherd on guitar, harmonica, and vocals.  Hoodoo Gurus were most popular on college radio, and this album was released at the peak of their popularity. 
The Gurus were influenced by B movies and pop culture of the 60's, and the similarity to the B-52's is clear.
Friend of the show Joel Nabors brings us this album, which he heard at Auburn on WETL.  Enjoy this trip back to “college in the 80's!”
 
Party Machine
 This upbeat song features Brad Shepherd on harmonica, and is a song about getting paid, having no obligations for the weekend, and headed out to party.  "Dig my words, it's a happening scene!  Hitch a ride on the Party Machine."
The Middle of the Land
This track is a little more hard rock oriented, with heavy percussion.  It is about evangelical preachers and hypocrisy.  
What's My Scene
A catchy guitar riff starts this song which was the most popular one off the album.  It's about looking at life and love, and wondering when you're time will come.  "Now the stage is set, where's my Juliet, baby?"  
Good Times
This is a fun song which features The Bangles on background vocals.  There was a planned tour co-headlined between the Hoodoo Gurus and The Bangles, but the skyrocketing popularity of The Bangles at the time resulted in the Gurus being the opening act.
 
ENTERTAINMENT TRACK:
The theme from the television series “The Twilight Zone” 
In May 1987, "The Twilight Zone" motion picture director John Landis was found not guilty of involuntary manslaughter in the death of actor Vic Morrow and two child actors, killed in a helicopter accident.
 
STAFF PICKS:
“Holy War” by John Butcher Axis
Wayne's staff pick features a rocking song with an easter feel from New England songwriter John Butcher.  This song describes people who use religion to fight a holy war.  Butcher identified with Jimi Hendrix, and the name Axis comes from the Hendrix album "Axis:  Bold as Love." 
“Midnight Blue” by Lou Gramm
Brian brings us the lead single from Foreigner frontman Lou Gramm's solo debut. "Life is simple.  It's either cherry red, or midnight blue."  Cherry red is everything going well, midnight blue is dark and mysterious.  They lyrics describe a couple who are broken up, but the boy vows to come back again.
“Weapons of Love” by The Truth
Rob's staff pick digs deep from a group formed in 1982.  This is The Truth's best selling single, and the title track from their album of the same name.  Weapons of Love peaked at number 7 on the rock charts. 
“Just Like Heaven” by The Cure
Joel rounds us out this week with a well-known song from another college rock favorite.  It sounds surprisingly upbeat, though still somehow melancholy, from ordinarily dark goth group The Cure.  "Spinning on that dizzy edge.  I kissed her face, I kissed her head."
 
INSTRUMENTAL TRACK:
"Initiation" by Helloween
This instrumental track opens German heavy metal Helloween's album "The Keeper of the Seven Keys:  Part I."
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.