What the Riff Next Gen

Scottish band Nazareth finally found international success with their sixth studio album, Hair of the Dog.  This album featured the well known (but often mislabeled) title track as well as an unusual but highly popular cover of the Everly Brothers song “Love Hurts.”
Nazareth was originally formed in 1968 from the remaining members of a group called the Shadettes.  They took the name Nazareth from the town of Nazareth, Pennsylvania.  The classic rock song "The Weight" by The Band names this town in it's first lines, "I pulled into Nazareth, was feelin' about half past dead..."  The band members were Darrell Sweet on drums, Pete Agnew on bass, Manny Charlton on guitar and synthesizer, and Dan McCafferty on vocals.  They moved to London in 1970 and slowly built success over their first five studio albums and opening on tour for acts like Deep Purple.
Although their success was building, Hair of the Dog was simply at a different level that gave the group the appearance of overnight success.  The album has a raw feel and attitude.  It was the first one produced by Manny Charlton, who would later produce the iconic album "Appetite for Destruction" for Guns N Roses.
Nazareth continues to tour today, though Peter Agnew is the remaining original member.  Darrel Sweet died in 1999 of a heart attack while on tour.  Manny Charlton left the group in the 80's to focus on producing.  Front man Dan McCafferty retired in 2013 for health reasons.
Folks, this is straight up mid-70's rock.  Enjoy!
 
Love Hurts
A surprising choice for a 70's rock band, this Everly Brothers cover was quite good, and was Nazareth's biggest hit, entering the top 10 in ten countries.  Somehow Nazareth tapped a raw emotion in this song, and Dan McCafferty's choice to sing it an octave higher contributes to that.  Perhaps it was a precursor to the hair ballads that were to come in the 80's. 
Rose in the Heather
This  deeper cut is a lower tempo instrumental that finishes off "Beggars Day" on side two, written by Nils Lofgren, a member of the E. Street Band.
Whiskey Drinkin' Woman
This is where this Scottish band takes inspiration from Southern Rock, and pulls it off well.  The song tells a story of blues, where a man is in love with an alcoholic and doesn't know what to do.  "That whiskey drinkin' woman is makin' a poor man out of me."
Hair of the Dog
An iconic track, complete with talking guitar and more cowbell!  This song is often assumed to be entitled "Son of a B***h," but the record label knew that no song with that title would sell in Sears and other stores.  The name chosen was a play on words, as it was originally spelled "Heir of the Dog."
 
ENTERTAINMENT TRACK:
The theme from the television series “Gunsmoke”
This long running western finished it's television run in March 1975.  It began as a radio series in 1952 and the television series began in 1955, making it one of the longest running TV series in history.
 
STAFF PICKS:
How Long by Ace
Rob's staff pick has a distinctive bass opening, and is the debut single by Ace.  It might seem like a story of infidelity in relationships, but Ace's bass player Terry "Tex" Comer was found to be secretly playing for two other bands.  This is a favorite song for Phil Collins.  Lead singer Paul Carrack would have a further connection with Genesis when he joined Genesis guitarist Mike Rutherford in the band Mike and the Mechanics.
Roll on Down the Highway by Bachman Turner Overdrive
Bruce's staff pick channels the popularity of truckers and trucking in the mid 70's.  Fred Turner and Robbie Bachman wrote the song.  Randy Bachman had been contracted by Ford to do music for a commercial, but they didn't take the jingle.  The band worked it into a full song.
Fire by the Ohio Players
Brian cranks up the funk with this Billboard number 1 hit.  Leroy "Sugarfoot" Bonner wrote the lyrics about a woman so hit she's starting a fire.  Stevie Wonder heard an early demo of the song and predicted it would be a hit.  
Long Tall Glasses  by Leo Sayer
Wayne finishes off the staff picks with a song about a hobo looking for a meal in a fancy restaurant.  When he sits down, "then somebody grabbed me, threw me out of my chair, said 'before you can eat, you gotta dance like Fred Astaire.'"
 
INSTRUMENTAL TRACK:
Constipated Duck by Jeff Beck
The guitar virtuoso Jeff Beck closes us out this week with an interestingly-named instrumental piece from his album Blow by Blow.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

If "The Joshua Tree" was the album that propelled Irish band U2 to the stratosphere of rock success, Achtung Baby was the album that would cement them in that status permanently.  The band was coming off mixed success with their hybrid live/studio album "Rattle and Hum," and were struggling directionally.  The band felt that they were not prepared for the success they had received, or as drummer Larry Mullin, Jr. put it, "we were the biggest, but we weren't the best.”
Achtung Baby draws its inspiration from German reunification, much like the Joshua Tree and Rattle and Hum drew inspiration from America.  U2 began recording in Berlin at Hansa Studios.  They arrived just before German reunification.  Rather than being inspired by reunification, the band found places gloomy and neglected.  Morale continued to falter as they struggled with the direction of the album, and actually considered breaking up.  With the encouragement of producer Brian Eno, the band continued on, and recommitted themselves to the group after returning to Dublin during Christmas.  Recording was relocated to Dublin in February of 1991.
Musically, the album has a more Eurocentric feel.  Bono and the Edge were gravitating to electronica and new sounds while Clayton and Mullin, Jr. preferred sounds more reminiscent of classic rock.  The synthesis created a sound that was less "over the top" than previous U2 works, and really opened up the commercial success of the group.  
While the sound might be less "over the top," the forthcoming tour called "Zoo TV" was the epitome of "over the top."  By this time, U2 was performing not in concert halls, but in stadiums.
This is an album that will definitely get your attention.
 
Even Better Than the Real Thing
This second track on the album was the fourth single released.  The song originated from a guitar riff created during the "Rattle and Hum" sessions.  The song is about the instant gratification of commercialism and its effects on society.  There's a more "techno" sound in this song, with the guitar delays and the double octaves throughout.
Mysterious Ways
What a great hook at the start of this song!  Jesus Jones was an influence on the group at the time, and you can feel it on this track.  The song itself is an idealization of women, and the trap of separating them into angels and devils.  The video was shot in Morocco and used a belly dancer to portray that "she moves in mysterious ways."
One
This is the song that brought the group back together when they were struggling in their recording sessions in Berlin.  The song itself is vaguely about relationships and may have been influenced by the dissolution of the Edge's marriage to Aislinn O'Sullivan.  
Until the End of the World
This deeper cut from the album is set in a Biblical setting with Bono singing as Judas in a conversation with Jesus.  "We ate the food, we drank the wine.  Everybody having a good time except you.  You were talking about the end of the world."  It was never released as a single.
 
ENTERTAINMENT TRACK:
Theme from the motion picture “The Addams Family”
The movie based on the 60's television series was released in November.
 
STAFF PICKS:
“Everything About You” by Ugly Kid Joe
Wayne kicks off the staff picks with a song off the EP Ugly As They Wanna Be.  The song describes everything the singer hates.  The name of the group is a spoof on the name of the group "Pretty Boy Floyd," and they have been described as the last glam metal band.  
“Lies” by EMF
Rob takes us into the British alternative rock scene.  This is off EMF's debut album Schubert Dip.  EMF takes its name from a fan club of the band New Order called "Epsom Mad Funkers."  The album made it to number 3 on the UK charts, though it didn't do as well in the United States.  
“The Sky is Crying” by Stevie Ray Vaughan and Double Trouble
Bruce's Brings us a song posthumously released after Vaughan's helicopter crash in 1990.  It was originally recorded by Elmore James in 1959, and was performed by The AllmanBrothers Band at Duane Allman's funeral in 1971.  Jimmie Vaughan compiled the songs on this album, also called "The Sky is Crying," and all but one song had not been released previously.
“Something to Talk About” by Bonnie Raitt
Brian's pick is Bonnie Raitt's breakout single.  Originally written by Shirley Eikhard, the song is about friends in a small town where everyone knows everyone else's business.  If everyone is assuming we're a couple, maybe we should give them something to talk about!
   
INSTRUMENTAL TRACK:
“Where's My Thing” by Rush
This instrumental from Roll the Bones came after several songs started as instrumentals but became perfect for a particular lyric.  Finally, drummer and lyricist told the band “You keep promising to do this instrumental, and I'm not giving you any more lyrics until you write this thing.”
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NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Night Ranger was a reliable hit machine in the mid-80's and their second studio album Midnight Madness was the one that solidified this reputation.  The group originally started as a trio with Jack Blades on bass, Brad Gillis on guitar, and Kelly Keagy on drums.  Keyboardist Alan Fitzgerald came out of the group Montrose to join the band, and he recommended guitarist Jeff Watson.  The group was originally called Stereo, then changed their name to Ranger.  The name was modified to Night Ranger to avoid a trademark infringement with a country band of the same name.
Night Ranger honed their skills opening for Sammy Hagar (Fitzgerald worked with Hagar in Montrose), Ozzy Osbourne, and ZZ Top.  Their popularity began to rise with the release of their first album “Dawn Patrol,” and exposure on MTV, although only one single appeared in the top 40 - “Don't Tell Me You Love Me” peaked at number 40.   
Midnight Madness would move the group from opening act to mainstream success with three singles including the massive hit ballad “Sister Christian,” written about Kelly Keagy's sister Christine.  “Sister Christian” hit it's peak at number 5 on the Billboard Hot 100 chart, but was actually set to record back during their "Dawn Patrol" studio sessions.  Night Ranger held off on recording it at that time, wanting to establish themselves as a rock group rather than a ballad group.
"(You Can Still) Rock in America" peaked at number 51 in June, and that is why we're featuring the album for this month although it came out in October 1983.  
Night Ranger has been described as pop metal or glam metal, but it is straightforward 80's rock & roll.  One of the things that made Night Ranger unusual is that with their five members they had two lead guitarists, and two lead singers.  This may have given Night Ranger a depth of skill that wasn't common in rock groups at the time.
We hope you have fun remembering this rocking group and album!
 
(You Can Still) Rock in America
This hard rocking anthem would miss the top 40, peaking at 51.  The song originated during a tour with Sammy Hagar.  The rock magazines were trending towards New Wave, and the covers inspired Jack Blades to write about it.  Hey!  You can still rock in America!
Why Does Love Have to  Change
A deeper track, this song is a good example of their dual lead guitars.  Jeff Watson and Brad Gillis both were capable of holding the lead.  Brad Gillis' training began with a 12-string, and many of their pieces show a crisp picking style.  Gillis is the only Night Ranger member to appear at every Night Ranger live performance.
Let Him Run
Another deep track, this final song on the album is more of a rock ballad with a 12-string feel.  It is about letting someone go in a relationship and moving on.  "Let him run, let him see what he has done."
When You Close Your Eyes
This fast ballad was a hit at the time, and hearkens back to an early relationship - trying to figure things out.  It's wistful but positive at the same thing.  The video is classic 80's.  "I remember when we learned about love in the back of a Chevrolet, when it felt so good to be young.  Feels like yesterday."  
 
ENTERTAINMENT TRACK:
Theme from the motion picture “Ghostbusters” by Ray Parker Jr.
This is the movie where you found out just how dangerous the Stay-Puff Marshmallow Man could be.  Don't cross the streams!
 
STAFF PICKS:
Eyes Without a Face by Billy Idol
Bruce's staff pick starts us off with a hit single inspired by a French horror film from the 1960's.  The song itself is about the end of a hopeless love affair.  Idol's then-girlfriend Perry Lister sings the French part, "Les yeux sans visage" meaning "eyes without a face." 
Oh Sherrie by Steve Perry
Brian features Journey front man Steve Perry with his hit single as a solo artist off the album "Street Talk." The song was written about his then girlfriend, Sherrie Swafford, who also appeared in the music video.  Many think the success of Perry's solo project was a foreshadowing of his exit from the band, though he remained in Journey for several years afterward.
Two Tribes by Frankie Goes to Hollywood
Wayne's staff pick was bigger in Europe than America, and bigger than his hit "Relax" on the continent.  The song is an anti-war protest, and the video features portrayals of American President Ronald Reagan and Soviet Chairman Konstantin Chernenko  in a fight with onlookers gambling on the fight and eventually joining in.
I'll Wait by Van Halen
Rob brings us a fast ballad off the hugely successful album 1984 - the last appearance of Van Halen with David Lee Roth as front man for many years.  The song is about getting the girl, and waiting for the right opportunity.  An interesting bit of trivia is that Michael McDonald (from the Doobie Bros) collaborated with Van Halen for this track.
 
INSTRUMENTAL TRACK:
Close (to the Edit) by Art of Noise
New Wave/electronica finishes us out this week.  The song takes samples from several Yes song.  The Art of Noise had a well known and somewhat controversial video.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Jazz-rock band Blood, Sweat & Tears waited until their second studio album to eponymously name it Blood, Sweat & Tears.  This band would defy convention in many ways.  It was a large band, boasting nine full-time members, and adding a tenth in trumpet player Alan Rubin for one song.  They also played a complex mix of progressive music that would come to be called "jazz-rock."  This album would be the first with David Clayton-Thomas on lead vocals, and would spend seven weeks at the top of the album charts.  It would also be a critical success, netting the band a Grammy Award for Album of the Year in 1970.
Al Kooper, the original band leader and rock legend, started the group.  The sound was inspired by the sound of the Buckinghams and Maynard Ferguson.  Kooper left after the second album, and David Clayton-Thomas came in as front man.  There were over 100 members in Blood, Sweat & Tears over the years, including Bo Bice of "American Idol" fame.  The group name came from a Winston Churchill speech.
Blood, Sweat & Tears was the number 1 album at the time that the Woodstock music festival was held in August of 1969, and at $15,000 they were the highest paid band to appear at Woodstock behind Jimi Hendrix.  For some reason, they decided not to get filmed for the gig, and as a result they are not seen in all the documentaries and retrospectives on that historic concert.  It is almost as if Blood, Sweat & Tears were erased from history.  On top of that, they didn't get their $15,000 at the end of the concert either!
A couple of other factors cause Blood, Sweat & Tears to be overlooked.  Their songs tend to be longer during a time when singles were no longer than 3 minutes for radio.  They also toured eastern Europe in 1972 to show off rock and roll music, sponsored by the U.S. State Department.  The counter culture considered this a sell out, and many of their Vietnam-era protest fans abandoned Blood, Sweat & Tears because of it.
Get ready to ride a painted pony and let the spinnin' wheel spin!
 
Smiling Phases
This very jazzy track is a cover of a song originally done by Steve Winwood and Traffic.  The idea is of the song is that you put a smile on no matter what life throws at you.  Keep on smiling and moving forward - don't let the obstacles get you down.
You've Made Me So Very Happy
This well known track peaked at number 2, and is a cover of a Motown song done originally by Brenda Holloway in 1967.  They tried to do this song with Al Kooper on their first album, but Kooper's voice wasn't well-adapted to it.  They tried it at a live show with David Clayton-Thomas, and it worked.
And When I Die
Another cover that peaked at number 2, this song was written by 17 year-old Laura Nyro and was originally performed by Peter, Paul & Mary.  Blood, Sweat & Tears picked up this song when Nyro was dating the bass player.  Their cover version went to number 2.  It is about recognizing the limited time you have on this earth and making the most of it.  That's pretty profound lyrics for a 17 year-old!
Spinning Wheel
The big single of the album was this well known hit, peaking at - you guessed it - number 2.  It compares life to riding on a carousel.  Things come and things go, "what goes up must come down."  Enjoy the ride.
 
ENTERTAINMENT TRACK:
Main Theme to the television series “Marcus Welby M.D.”
Robert Young of "Father Knows Best" fame would star in this long-running series that would take on several controversies during its 7-year run.  The pilot for the series aired in March of 1969.
 
STAFF PICKS:
Day after Day (It's Slippin' Away) by Shango
Rob starts our staff picks with this calypso one-hit wonder.  It is known as a novelty act about how the earthquakes in California will cause the whole coast to slide into the Pacific - "you better get ready to tie up the boat in Idaho!" 
Everyday People by Sly & The Family Stone
Brian features a big hit from the fusion group Sly & The Family Stone.  Everyone is essentially the same and we need to learn to live together.  The group was known for combining musical styles and its members' ethnic diversity during a time of racial tensions. 
Time of the Season by The Zombies
Bruce's staff pick was a surprise hit by the group led by keyboardist Rod Argent and vocalist Colin Blunstone.  It took about a year to catch on before hitting number 3 on the Billboard Hot 100 in March 1969.  It has become sort of a counterculture anthem in pop culture, and is frequently used in Vietnam-era scenes and flashbacks.
Rock Me by Steppenwolf
Wayne's staff pick is a deeper cut, though it hit the charts and peaked at number 10 at the time.  Lead singer John Kay wrote this one.  It has a deeper meaning as a kind of protest song.  Canadian band Steppenwolf was nominated to the Rock & Roll Hall of Fame in 2017, though they didn't make it in.    
 
INSTRUMENTAL TRACK:
Variations On a Theme by Erik Satie (1st Movement) by Blood, Sweat & Tears
We're once again double dipping on our featured album.  Blood, Sweat & Tears had a number of instrumental pieces on their albums, and this one is the opening track.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Blues Traveler formed as a high school garage band in Princeton, New Jersey in 1987, and their fourth studio album, aptly named four, was their true breakout album.
Blues Traveler is composed of guitarist Chan Kinchla, bassist Bobby Sheehan, drummer Brendan Hill, and front man, harmonica player, and primary songwriter John Popper.  Sheehan would die in 1999 and be replaced by Tad Kinchla.  The group would add Ben Wilson on keyboards in 2000.  This group is hard to define from a genre standpoint, as they have a little prog rock, a little psychedelic, a little funk, and surprisingly for a band originating in New Jersey, a little Southern rock.  The name was inspired by a character from the movie "Ghostbusters."  They were called Blues Band at the time, and became Blues Traveler after getting the idea from Gozer the Traveler.
The group moved to New York where they shared an apartment with their high school friend Chris Barron.  Barron, Popper and Hill were briefly in a band called The Trucking Company.  After Popper and Hill left The Trucking Company to focus on Blues Traveler the group changed their name - to the Spin Doctors.
Like the Grateful Dead, Blues Traveler is known as a jam band, and they encourage fans to record their live performances.  They also started the H.O.R.D.E. festival (Horizons of Rock Developing Everywhere).
The album four is a great showcase of the talents of this band, and there is a lot of variety in the tracks.  We think you'll be "hooked" on this funk/rock/psychedelic jam session.
 
Hook
This is the second single from the album, and it peaked at number 23 on the Billboard Hot 100.  The song is a tongue in cheek critique of the music industry.  A "hook" is a riff or phrase in music that becomes a sort of earworm in your mind.  The lyrics make the case that the artist can basically sing anything as long as the hook is good.  In fact, the chord progression is built on Pachelbel's Cannon in D, one of the oldest music hooks around. 
Stand
A funky deep cut, Stand is about making a decision to move forward despite obstacles.  Popper wrote this song shortly after a motorcycle accident had him on stage performing in a wheelchair with the band.  Despite the difficulty of both being overweight and recovering from injury, John Popper pressed on.  By the way, Paul Shaffer of David Letterman Show fame is playing keyboards on this piece.
Look Around
A softer deep cut, this track is about carrying on after setbacks and heartbreak, and not giving up.  "If you want peace then live alone.  If you want to hide then find a stage.  Each a brief but perfect home to accommodate your rage." 
Run-Around
This is the big hit from the album.  The song is about being stuck in the friend zone, and was inspired by a crush John Popper had on a female bass player who briefly worked with the band.  The video is a great parody of "The Wizard of Oz," where Blues Traveler is secretly playing a set behind a curtain while a more photogenic band is on stage.
 
ENTERTAINMENT TRACK:
Main Theme from the television series The Magic School Bus
The children's educational series featured teacher Ms. Frizzle (voiced by Lily Tomlin)
 
STAFF PICKS:
Stay (I Missed You) by Lisa Loeb
The movie Reality Bites had a killer soundtrack, and this may be the most famous song from the film.  Brian tells about how Lisa Loeb was brought to the film soundtrack by actor Ethan Hawke while she was unsigned to a recording contract. 
All I Wanna Do by Sheryl Crow
Rob's staff pick is from Crow's debut album, and this single was on the charts this month.  The lyrics originate from a poem called "Fun" by Wyn Cooper.  The lyrics chronicle what life might look like from a bar stool, sitting around drinking all day.  Sheryl Crow became a celebrity after the release of this album entitled "Tuesday Night Music Club."
Seether by Veruca Salt
Wayne takes the tempo up with this rocking staff pick.  Nina Gordon and Louise Post front this alternate rock band, and sing about rage and animalistic instincts that build up over time.  "Can't fight the seether, I can't see her till I'm foaming at the mouth."
Lucas With the Lid Off by Lucas
Bruce brings us a track from Danish rapper Lucas Secon built on a tune from Benny Goodman's "When Buddha Smiles," originally penned in 1935.  The video was a complex shot done in one continuous take with no edits, cuts, or enhancement.
 
INSTRUMENTAL TRACK:
L.A. by Widespread Panic
Jam band Widespread Panic takes us out on this podcast with this instrumental track.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

By the time the ninth studio album was put out, The Beatles had achieved astounding critical and popular success.  Their only double-album was self-titled.  However it has become known as The White Album because, unlike the color and art of the prior Sargent Peppers album, this one was entirely without color, white, with simply the name "The Beatles" on the cover.  Much of the songs on the album were created while the band was on a Transcendental Meditation retreat in India, and that influence can be felt in the scaled down, often acoustic feel of the songs.
The band was also beginning to fragment, and arguments or hurt feelings would cause some of the songs to be recorded by just part of the group.  Yoko Ono would become a constant presence with Lennon in the studio, contributing to the tension.  
Despite the iconic status the album achieved virtually from its release, there were still detractors.  Some criticized songs like ”Back in the U.S.S.R.” to be too sympathetic of communism and accused the group of trying to brainwash American youth.  Those on the left found the non-activist message of songs like “Revolution” to be a betrayal of leftist ideology during a period of intense social upheaval.  And perhaps most famously, Charles Manson claimed inspiration for his violence in many songs from the album.
Today, The White Album is rightfully considered one of the greatest albums of the rock era.  We hope this podcast will encourage you to explore the album more fully.
 
Back In the U.S.S.R.
Mike Love of The Beach Boys was one of the participants in the Transcendental Meditation retreat.  McCartney was encouraged by Mike Love to create a Soviet version of "California Girls." with this song.  The name of the song was inspired by Chuck Berry's "Back In The U.S.A."  McCartney plays drums on this single, as Ringo Starr briefly quit during this time.
Dear Prudence
The inspiration for this Lennon-penned song is Prudence Farrow, Mia Farrow's sister, who was also at the TM retreat.  Prudence took the meditation so seriously that she fell into a catatonic state, which obviously worried the entire group.  The song was written to lift her spirits.  McCartney also played drums on this song in Starr's absence.
While My Guitar Gently Weeps
George Harrison matured greatly as a songwriter on this album, and this is one of his more famous contributions.  Lennon and McCartney were not enthusiastic about including this song, but relented when Harrison brought his friend Eric Clapton in to play (uncredited) on this song.  The members of the Beatles were at each others throats at the time, and Clapton's presence exerted a calming influence on the band.  This was also the first song in which Ringo Starr played drums after his return to the group.
Helter Skelter
After reading an interview of Pete Townshend in which he described a Who track, Paul McCartney was inspired to write the "loudest, nastiest, sweatiest rock number we could."  This track is infamously associated with Charles Manson and the Tate-LaBianca murders.
 
ENTERTAINMENT TRACK:
“Baby What You Want Me to Do” by Elvis Presley
This month saw the release of Elvis's TV Comeback Special, "If I Can Dream."  It was the highest rated show for the year of 1968.
 
STAFF PICKS:
“Hooked on a Feeling” by B.J. Thomas
Bruce gets the staff picks started this week with a song made famous by the motion picture "Guardians of the Galaxy."  Written by Mark James, B.J. Thomas did the original in 1968.  The track would be covered by Jonathan King in 1971, and then by Blue Swede in 1974, the Blue Swede cover being the one with which most are familiar.
“Cinnamon” by Derek
Rob's upbeat staff pick was designed so that singer Johnny Cymbal could avoid being pigeonholed as a novelty singer.  As a result, he went by the name, “Derek” for this release — which was his brother's name,  Derek Cymbal.  
“I Got a Line on You” by Spirit
Wayne's pick is another upbeat track, this one from the Spirit album "The Family That Plays Together."  The album got its name because lead guitarist was playing with his stepfather as drummer.  Jay Ferguson was also in this band, who wrote the score for the American version of the television series "The Office."  This track peaked at number 25.
“Kentucky Woman” by Deep Purple
Brian features an unusual cover of Neil Diamond's 1967 original in a style that some call the first heavy metal song.  The song was on the psychedelic and Arthurian album entitled "The Book of Taliesyn."
 
INSTRUMENTAL TRACK:
“Joy of a Toy” by Soft Machine
This prog rock/psychedelic instrumental takes us out this week.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Patricia Mae Giraldo, better known as Pat Benatar, became one of the most prominent female rock stars when she made her debut in 1979.  Her most successful studio album was this second album, Crimes of Passion, which would benefit from play on rock stations around the country and the new music video media spearheaded by MTV.
Benatar had actually abandoned early dreams of a singing career, choosing to pursue health (actually sex education) at Stony Brook University, rather than music at Juliard.  She dropped out of Stony Brook after a year, married Dennis Benatar, and worked as a bank teller in Virginia while he was stationed at Fort Lee.  Her interest in singing was rekindled after attending a Liza Minnelli concert.  She had some local success in Richmond and in New York where she and Dennis moved in the mid-70's, — but the real breakthrough would happen in Halloween 1977 when she performed in a spandex costume.  Shortly thereafter she was signed by Chrysalis Records.  She ended up divorcing Dennis Benatar thereafter, but would keep his last name as her professional name.
While Pat Benatar achieved strong success on her debut album with the hit "Heartbreaker."  Crimes of Passion would make Benatar a household name.  The album would spend five consecutive weeks at number 2 on the album charts in January 1981, and would net Benatar a Grammy Award for "Best Female Rock Vocal Performance" of 1980.  Pat Benatar would appear on the cover of the October 1980 issue of Rolling Stone along with her guitarist and future husband, Neil Giraldo.
We think you will enjoy this excellent album.  At least we will do our best to hit you with our best shot!
 
Hit Me with Your Best Shot
This song is the second single off the album, but the biggest hit, and her first entry into the top 10.  The song was written by Canadian musician, songwriter, and producer Eddie Schwartz, inspired by a therapy session he participated in that involved hitting pillows.  This is a true rock anthem. 
Little Paradise
This deeper cut leads off side two of the album, and was written by guitarist and soon-to-be husband of Pat Benatar, Neil Giraldo.  To us, it feels a little more like Ted Nugent or southern rock.  
You Better Run
The first single released from the album is a cover of a song originally performed by The Young Rascals.  Although this song missed the top 40 (peaking at number 42 on the Billboard Hot 100), it would become the second music video ever broadcast on MTV after the Buggles' "Video Killed the Radio Star."
Hell Is for Children
This emotional song was written by Benatar, Giraldo, and bassist Roger Capps and is Neil Giraldo's favorite song.  Pat Benatar was inspired to write this song by a  series in New York about abused children.  Later on Benatar and Giraldo would actually create foundation for abused children
 
ENTERTAINMENT TRACK:
Main theme from the television series “Cosmos”
This popular PBS series premiered in September 1980, and would make Carl Sagan a household name.
 
STAFF PICKS:
“Introduction/Lola” by the Kinks
Brian's starts our staff picks off with a live version of the 1970's hit about an encounter between a young man and the cross-dressing Lola.  In the song the guy meets Lola in Soho, London, but the inspiration was a result of Kinks manager Robert Wace spent an evening in Paris dancing with a cross-dresser.  
“Games Without Frontiers” by Peter Gabriel
Wayne's staff pick takes its name from a European TV show, "Jeus Sans Frontieres" where people from different places would play games of skill while wearing strange costumes.  The British version of this game show was called "It's a Knockout," and that title also makes it into the song.  The song's lyrics are a commentary on war and negotiations between countries being like children on a playground.  Kate Bush contributes backing vocals in this song.
“The Legend of Wooley Swamp” by the Charlie Daniels Band
Bruce takes us on a spooky trip to the Wooley Swamp where the ghost of miser Lucious Clay torments the spirits of his killers, the Cable Boys.  Today Wooley Swamp is the name of a farm campground and RV park near Raleigh.
“Turn It On Again” by Genesis
Rob finishes off our staff picks with the first single off Genesis' album "Duke," written by band member Mike Rutherford.  It is about a man who doesn't do anything but watch TV, and begins to think of the TV personalities as his friends.  The song has a complex time signature, with much of the song in 13/8.  
   
INSTRUMENTAL TRACK:
"Dinorah, Dinorah" by George Benson
We're turning to a jazz instrumental by R&B and Jazz artist George Benson to finish off this week's podcast.  It was off his 1980 album, "Give Me the Night."
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

When Berry Gordy's Motown Record Corporation began, the first group signed was The Miracles, also known as Smokey Robinson and the Miracles from 1965 to 1972.  The group was also the first of Motown's million-selling recording artists, and the first Motown act to appear on American Bandstand.  The group would have a nineteen-year run on the American music charts, with over fifty hits, sixteen within the top 20 of the Billboard Hot 100.  
Smokey Robinson led the group from its start in 1955 as “The Five Chimes” until he retired from the group in 1972 to take a larger tole as Motown's vice president.  Other members included Robinson's wife Claudette, Ronald White, Marv Tarplin, Pete Moore, and Bobby Rogers.  In addition to their chart success, Smokey Robinson and the Miracles would have a profound affect on rock and roll, with many of the Miracles' hits being covered by groups like the Zombies, the Who, the Rolling Stones, the Hollies, and the Beatles.
Robinson, whose first name is William, got the name “Smokey” from his uncle.  Young William Robinson loved cowboy movies, and his uncle started calling him “Smokey Joe” as a cowboy name.  Everyone called him that until he was about 12 years old, at which time he dropped the “Joe” part.
Going to a Go-Go is the first Miracles album to use the name “Smokey Robinson and the Miracles.”  It is also the only studio album by the group to chart in the top 10 of Billboards 200 albums chart, peaking at number 8.  Smokey Robinson produced the album, and wrote or co-wrote all but one of the songs on it. 
We're sure you will enjoy this blast from the past. 
 
Ooo, Baby Baby
The Funk Brothers provide the instrumentals for this pleading song about a man who cheated on his woman and begs forgiveness.  It was listed as number 266 on Rolling Stone Magazine's list of “The 500 Greatest Songs of All Time.”
Tracks of My Tears
This iconic song is another of “The 500 Greatest Songs of All Time,” coming in at number 50.  The song itself is about putting on a good face for others after a breakup.  “Baby take a good look at my face, you'll see my smile looks out of place.  Yeah, just look closer, it's easy to trace the tracks of my tears.”
My Girl Has Gone
Marv Tarplin plays a 12-string guitar on this song that tries to put a positive spin on a breakup.  “Don't you cry, hold your head up high.  Don't give up, give love one more try, ‘cause there’s a right girl for every guy.”
Going to a Go-Go
The up-temp dance song was covered by the Rolling Stones on their 1982 album “Still Life.”  Miracles member and co-writer Bobby Rogers said that the song was inspired by the success of the “go-go” clubs that were popular throughout the United States in the 1960's.  
 
ENTERTAINMENT TRACK:
The theme from the television series “Combat!”
This drama series started in black and white and switched to color during its run from 1962 to 1967, and focused on a World War II American squad fighting Germans in France.
 
STAFF PICKS:
Everyone's Gone to the Moon by Jonathan King
Bruce's staff pick was written and sung by Jonathan King while he was an undergraduate at Cambridge.  He went on to become a record producer, songwriter, and entrepreneur.  He discovered the band Genesis in 1967 and produced their first album, “From Genesis to Revelation.” 
I'm A Man by The Yardbirds
Rob brings us a most politically incorrect tune, originally performed by Bo Diddley in 1955.  The Yardbirds covered it this year after Jeff Beck replaced Eric Clapton as guitar.
May the Bird of Paradise (Fly Up Your Nose) by “Little” Jimmy Dickens
Brian's staff pick features 4' 11" tall Jimmy Dickens.  The reference was used frequently by Johnny Carson, and the song chronicles some events in the life of a cheapskate.
It Ain't Me Babe  by The Turtles
Wayne finishes up the staff picks with a cover of a Bob Dylan song.  The song is about a boy telling a girl that he is not the one who will meet her every need.  This is the biggest hit of the first album by The Turtles. 
 
INSTRUMENTAL TRACK:
Cleo's Back by Junior Walker & the All Stars
We close out this week's podcast with an instrumental from another Motown group.
Thanks for listening to “What the Riff?!?”
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

With the release of Moving Pictures, Canadian power trio Rush moved to their highest level of commercial success.  Bassist and lead singer Geddy Lee, guitarist Alex Lifeson, and percussionist extraordinaire Neil Peart were established at the top of the prog rock genre, and this eighth studio album would be their most successful studio release in their career, becoming so when it crossed the quadruple platinum level of sales.
The band had originally planned to release a live album at the conclusion of their tour for "Permanent Waves," but Neil Peart encouraged them to change direction towards a new studio release based upon interesting material they were creating during sound checks on tour.  The album itself was more accessible than some of their early work.  While most songs would clock in at over 4 minutes (and "The Camera Eye" was over 10 minutes long), the pieces were still more radio-friendly than longer pieces like Hemispheres and 2112.  The music and lyrics cover topics like travel, individualism, and fame.
The album cover art consists of a group of movers transporting canvas art (moving pictures), onlookers who are crying at seeing the art (moving pictures), and a film crew recording the entire scene (making moving pictures).  
There is simply no bad track on this album, and Bruce found it difficult to determine which songs to feature.  We encourage you to purchase or download Moving Pictures for your repertoire if you don't already have it. 
 
Red Barchetta
Although not released as a single, this is a fan favorite, and one of their most accomplished lyric stories.  Neil Peart's lyrics were inspired from a short story by Richard S. Foster called "A Nice Morning Drive," written in the November 1973 issue of Road and Track magazine. It is about a country drive during a time in the future when cars had been outlawed by "The Motor Law."
Limelight
This piece reflects Peart's mixed feelings about fame, and is the second single from the album.  Many times Lee and Lifeson would interact with the public while Peart would remain away from the crowds.  Some of the lyrics reflect a line from Shakespeare's "As You Like It," as does the title of their first life album, "All the World's a Stage."
Vital Signs
The last track on side 2 takes a more reggae feel, similar to The Police.  It also has more in common with more synth-heavy pieces which would appear on subsequent Rush albums like Signals and Grace Under Pressure.  The music is about individuality and conformity, a theme often recurring in Rush's catalogue. 
Tom Sawyer
Undoubtedly, this is the most famous Rush song.  It was written by Rush in collaboration with lyricist Pye Dubois of the band Max Webster, and pays homage to the free-spirited individualist confidently striding through the world.  Although the first single, the leading track to the album, and the most successful song, Tom Sawyer peaked on the Billboard Hot 100 at number 44.  Most concerts late in their career would open with this song.
 
ENTERTAINMENT TRACK:
Main Theme from the television series Diff'rent Strokes
This comedy series addressed many social issues, and would take a more serious tone with a 2-part episode addressing pedophilia in this month.
 
STAFF PICKS:
Turn Me Loose by Loverboy
Brian's staff pick stays with the Canadian bands, featuring the first breakout hit by Loverboy from their debut album.  While the band appreciated the success, they were less pleased with the S&M community, who adopted it as a kind of "theme song" of their practitioners.  
Miss Sun by Boz Scaggs
Rob brings us a song first recorded in 1977 by a group of session musicians who would become Toto, and those musicians worked on the Scaggs version as well.  The Toto musicians participated in Scaggs' ciritical and commercial hit album "Silk Degrees" in 1976.  Miss Sun peaked at number 14 in February.  It has a jazzy chord progression.
People Who Died by The Jim Carroll Band
Wayne's staff pick features a punk-infused song from Jim Carroll, whose biography inspired the film "The Basketball Diaries."  The movie deals with Carroll's heroin addiction.  The song mentions the name of a number of Carroll's friends and acquaintances who had passed away.  Jim Carroll himself died in 2009.
I Ain't Gonna Stand for It by Stevie Wonder
Bruce's staff pick highlights a country-oriented song by R&B legend Stevie Wonder. Wonder plays piano and drums on this song, and is joined by backing vocalists Charlie and Ronnie Wilson of The Gap Band.  You may also be familiar with a cover of the song done by Eric Clapton in 2001.
 
INSTRUMENTAL TRACK:
YYZ by Rush
We sneak in one more from Moving Pictures with this instrumental homage to the Toronto airport.  The initial percussion is Morse code for the letters YYZ - the three-letter code for Toronto.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

One of the last British Invasion groups of the 1960s, and one of the few grroups that never disbanded, was Manchester's own The Hollies.  Alan Clarke and Graham Nash founded the group, and after a few iterations joined with Vic Steele (lead guitar), Eric Haydock (bass), and Don Rathbone (drums) in a group known as the Deltas.  They would first be known as The Hollies at a Manchester gig in December 1962, taking the name from both the Christmas season and in admiration of Buddy Holly.  By 1967, Steele had been replaced by Tony Hicks, and Rathbone by Bobby Elliott.  Eric Haydock would be replaced by Ernie Calvert in 1966.
The Hollies' Greatest Hits was released in May 1967 after their fifth studio album, though they had only achieved major U.S. success in 1966.  This album showcases their three-part harmonies and the sound reminiscent of many early 60's British Invasion bands.  They did covers and songs from other writers at first - a common practice in bands at the time - before becoming comfortable writing their own material.  
Though The Hollies had many decades more music and hits to come, Graham Nash would depart a few months after this Greatest Hits collection was released to join his new band, Crosby, Stills & Nash.  This collection is a good representation of the early days of this iconic band.
 
Bus Stop
This was the first U.S. top 10 hit by the group, released in June 1966.  Songwriter Graham Gouldman wrote this piece using opening lyrics first written by his father, playwright Hyme Gouldman.  Graham Gouldman would later be a member of the band 10cc.
On a Carousel
Clarke, Nash, and Hicks penned this song.  These three would form the core of the songwriting for The Hollies after they began writing on their own.  Previous hits were from Graham Gouldman or covers.  It was originally released in February 1967 as a single, and captures the spirit of young love.
Look Through Any Window
This one hit the charts as a single in the US in September 1965, and was their first top 40 hit. “Look through any window, yeah, what do you see?  Smiling faces all around, rushin' through the busy town.”
Stop, Stop, Stop
Released in the US by Imperial records in October 1966, this track has a distinctive sound with a banjo as lead instrument and employing a tape delay to give it an eastern feel.  It was inspired when the band was taken to a strip club for the first time.  “Stop, stop stop all the dancing.  Give me time to breathe.”
 
ENTERTAINMENT TRACK:
Theme from the motion picture “To Sir With Love”
Sidney Poitier stars and singer Lulu contributes this song (and makes her film debut) in this drama about social and racial issues in an inner city school.
 
STAFF PICKS:
“Creeque Alley” by The Mamas & The Papas
Rob kicks off the staff picks with an autobiographical piece on how The Mamas & The Papas formed.  The line “and no one's getting fat 'cept Mama Cass” could refer to Cass Elliott's weight, ...or to her financial situation, as she was making more money than the rest of the band!
“I Got Rhythm” by The Happenings
Bruce takes us way back with a show tune originally composed by George and Ira Gershwin in 1930.  The Happenings were known for playing classic songs in a sunshine pop style.  “I Got Rhythm” would make it to number 3 on the US charts with this version.
“From the Underworld” by The Herd
Wayne's staff pick features a 17 year old Peter Frampton!  This song was the first UK hit by the group, and was inspired by the story of Orpheus and his flight from Hades.  The psychedelic tune was payed on Pirate Radio in the UK, where radio broadcasts were conducted from ship to avoid the BBC.
“Girl, You’ll Be a Woman Soon” by Neil Diamond
Brian's pick is a hit from Neil Diamond addressing the female fans at his concerts directly.  Diamond was a sex symbol at the time, and his audience skewed female, as demonstrated by the apparel thrown up on stage.
   
LAUGH TRACK:
“Ding Dong the Witch Is Dead” by The Fifth Estate
This may be more novelty than comedy, but your ears do no deceive you.  That's right, this song from "The Wizard of Oz" made it into the charts this month via this cover by The Fifth Estate.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

By the time that R.E.M. put out their eighth studio album, the band had been a major factor in alternative rock for a decade.  Automatic for the People takes a step back from the faster paced music of earlier albums and creates a more pensive, mellow  feel with themes of loss and nostalgia for times gone by. Guitarist Peter Buck, bass and keyboardist Mike Mills, drummer Bill Berry, and front man Michael Stipe present a more acoustic landscape with this critically and commercially successful album.
Many of the songs on this album originated during sessions for the previous album, “Out of Time,” recorded at Prince's Paisley Park Studios.  The recording was done in multiple locations including Seattle, New Orleans, Miami, Atlanta, and of course R.E.M.'s home town of Athens, Georgia.  The band formed from UGA students in 1980 and was one of the earliest alternative rock groups on the scene.  R.E.M. lead the charge of the Athens-based music scene.
The album name is a motto originated at Weaver D's Delicious Fine Foods in Athens, Georgia.  At one point the album was going to be called "Star." The album cover sports a photograph of a star-shaped sign from the Sinbad hotel in Miami, not far from the studio where some of the tracks were recorded.  This album would produce six singles, and reached number 2 on the U.S. Billboard 200 Album charts.
While originally released in October 1992, we're featuring it in May 1993 when "The Sidewinder Sleeps Tonite" single was released in February 1993, the third single from the album.  We hope you like this trip back to college rock in the early 90's.
 
Ignoreland
Although this track was not released as a single, it still made it into the charts.  The high energy song finds Michael Stipe throwing out crazy lyrics and phrases about politics, mostly raging against Republicans Ronald Reagan and George H.W. Bush.
Try Not to Breathe
Michael Stipe was writing about his grandmother as she was dying in this folksy track in 3/4 time.  The title originated from a session where Peter Buck had the guitar mic near his mouth.  The engineer said he was making too much noise, and Buck replied, "OK, take two.  I'll try not to breathe."  Stipe thought it made a nice title!
Monty Got a Raw Deal
Another folk oriented track, this one is about the actor Montgomery Clift, who starred in The Misfits, From Here to Eternity, and A Place in the Sun.  The lyrics were meant as a contemplation on movies versus reality.   Guitarist Peter Buck plays a Greek stringed instrument called a bouzouki on this song.
Night Swimming
This soft ballad is almost a chant with its repeating, circular melody.  John Paul Jones of Led Zeppelin fame is credited with the string arrangement.  If the piano sounds familiar, it might be because Mike Mills recorded the piano using the same instrument that Derek and the Dominos used to record "Layla" many years prior to this.   "Every streetlight reveals a picture in reverse..."
 
ENTERTAINMENT TRACK:
“Pennsylvania Polka” by Frankie Yankovic & His Yanks
The film "Groundhog Day" debuted in February 1993, starring Bill Murray and Andie MacDowell. The film "Groundhog Day" debuted in February 1993, starring Bill Murray and Andie MacDowell. The film "Groundhog Day" debuted in February 1993, starring Bill Murray and Andie MacDowell. ;-)
 
STAFF PICKS:
Walk On the Ocean by Toad the Wet Sprocket
Brian's staff pick starts us off with the group named from a Monty Python skit.  Lead singer Glen Phillips wrote the lyrics in about 5 minutes as a “stream of consciousness” without any real meaning.  He had images of water on his mind after a trip to the ocean in Washington state, but nothing beyond that. 
Mr. Wendal by Arrested Development
Bruce brings us a little southern hip hop from Atlanta's own Arrested Development.  The song tells about an encounter with the homeless Mr. Wendal and about what the rapper learns from a non-materialistic person versus what society says.
I Am the Bullgod by Kid Rock
Wayne's staff pick brings up the energy with a rocking song from Detroit's Robert James Ritchie, aka Kid Rock.  This is off his second independent album, and would be re-released on a major label years later.  It is a good example of the blend between rap and heavy metal that was making its appearance at the time.  
Courage (for Hugh MacLennan) by The Tragically Hip
Rob's closes out the staff picks with a hit from Canadian band The Tragically Hip - off their third studio album.  The reference to Hugh MacLennan is a shout-out to the author of a 1959 novel entitled "The Watch that Ends the Night."  Lines from that novel are paraphrased in the last verse of the song.
 
INSTRUMENTAL TRACK:
New Orleans Instrumental No. 1  by R.E.M.
Rob does a little double dipping this week to finish off the episode with an instrumental track from this week's album pick.  R.E.M. recorded this in New Orleans in a place that was supposedly haunted.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

We've profiled albums from bands which were a mess in real life before, but it would be hard to identify a more "bad boy" oriented group than the Sex Pistols.  We'll also not be profiling any other Sex Pistols studio album…because Never Mind the Bollocks, Here's the Sex Pistols is their sole studio album.  The Sex Pistols put out a number of singles ahead of the album, so while the full album was released in October of 1977, their single "God Save the Queen" was released in May of 1977.  The Sex Pistols defined Punk Rock in a way that would influence the entire genre for decades.
Members of the group were Glen Matlock on bass, Steve Jones on guitar, Paul Cook on drums and Johnny Rotten (who got the nickname for his bad teeth) on lead vocals.  Sid Vicious would come in on bass after Matlock split with the group.  
The members didn't get along with each other, didn't get along with the media, the public, or pretty much anyone.  They had already had an obscenity-laden interview on television in December 1976 which kept the tabloids busy for days afterward, and "God Save the Queen" continued their infamous image with its broadside against conformity and the crown.
The popularity of the Sex Pistols was a reflection of the underlying resentment towards the tough times in England during the late 70s.  Their enduring popularity is a reflection of the punk movement the Sex Pistols helped to found in this short-lived group and album.
 
God Save the Queen
Also known as "No Future," with lyrics like "God Save the Queen, she ain't no human being," it is not surprising that the BBC refused to play the song.  Despite this, it went to number 2 on the charts in the UK.  The Sex Pistols leased a boat just before the Queen's Jubilee (25-year anniversary) and played off it past Westminster Abbey and Parliament.  They were arrested as they exited the boat.
Submission
This deeper cut takes a different pace than your normal punk song, but plays on words.  "I'm on a submarine mission for you baby."  Not as submissive as it appears at first, is it?  Their manager wanted them to do a bondage-type song, but the band never was known to take instructions very well, and so created this pun on the word as a result.
Pretty Vacant
This third single was one of the first songs written by the group.  The track is a rant about appearances masking a lack of substance.  "I'm so pretty, you're so pretty...pretty vacant...and we don't care."  The music of the Sex Pistols remains loud, and uses simple power chords.
Anarchy in the UK
The Sex Pistol's first single released is iconic.  "Don't know what I want, but I know how to get it.  I want to destroy the passerby."  
 
ENTERTAINMENT TRACK:
The theme from the television series “The Brady Bunch”
We apologize for the abrupt change!  "The Brady Bunch Hour" variety show had its last airing in May 1977.
 
STAFF PICKS:
Calling Dr. Love  by Kiss
Brian's staff pick starts us with more cowbell!  Gene Simmons takes lead vocals on a song inspired by a short from "The Three Stooges," entitled "Men in Black," where they were calling various Doctors.  Katey Sagal (from Married...With Children) is a backing vocalist on this song. 
Heard It In a Love Song by The Marshall Tucker Band
Bruce brings us the highest charting single from Spartanburg, South Carolina's own.  The Marshall Tucker Band got their name from a door key to the warehouse whey had rented for rehearsal, which had the name "Marshall Tucker" inscribed on it.  Later they found out that the key belonged to a blind piano tuner who had tuned a piano in the rented space just before their arrival.
Lonely Boy   by Andrew Gold
Rob's staff pick was on the charts for about two months, and tells a story about a family raising a boy who is the center of their world until his little sister comes along.  Linda Ronstadt contributes to the vocals in this track.  Andrew Gold had a close association with Ronstadt.
Couldn't Get It Right  by Climax Blues Band
Wayne gets his groove on with a two-hit wonder from an English band.  The band wrote the song "from absolutely nowhere" after their label couldn't find a standout song for the single from their album.  The lyrics were inspired by the band searching for the "Holiday Inn" sign for their motel after a show on their tour in America. 
 
INSTRUMENTAL TRACK:
Cruise Control by the Dixie Dregs
We finish off this week with a long instrumental from the prog rock band the Dixie Dregs.  This is likely their most famous song, and is covered by a lot of bands.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

The Grateful Dead are most famous for their status as a tour band, jam band, and cult band.  They may be the greatest touring rock group of the rock era.  They were originally known as the Warlocks when they formed in 1965 in San Francisco, but had to change the name when they discovered another band already using the title.  Jerry Garcia found the word "Grateful Dead" in a dictionary, meaning "the soul of a dead person, or his angel, showing gratitude to someone who, as an act of charity, arranged their burial."
Jerry Garcia is the guitarist and vocalist, and probably the most famous member.  Bob Weir is also on guitar and vocals, Phil Lesh is on bass, Brent Mydland is on keyboards and vocals, and Mickey Hart and Bill Kreutzmann share duties on drums.
In the Dark is the twelfth studio album by the Grateful Dead, and their most commercially successful album.  Although The Dead hadn't recorded in six years, most of these songs would be familiar to "Dead Heads" from their touring lineup, as much of the album had been played since 1982 or 1983.  The album got its name because they recorded the baseline tracks for the album in an empty darkened theater with the same lighting they would use on tour in order to capture the "feel" they had for the songs.  The cover art had lettering in the shape of an eye, and inside the "eye" are photos of the band members eyes.  The CD release had the photos upside down.
Bruce shares with us this masterpiece from the cult phenomenon known as The Grateful Dead.
 
Touch of Grey
This is the single from the album.  It reached number 9 on Billboard's Hot 100, and number 1 on the Mainstream Rock Tracks.  It was first performed as an encore on September 15th, 1982 in Maryland.  The Grateful Dead encourage to record the music during their tours, and the number of bootleg recordings make it easy to track the original debuts of songs.  Touch of Grey is the only Grateful Dead song to hit the top 40, so technically The Grateful Dead are a one-hit wonder!
West L.A. Fadeaway
This blues piece was also originally performed in 1982.  Supposedly this is a tribute to John Belushi's death at the Chateau Marmont hotel in 1982.  Belushi had appeared onstage with the Dead at least once, in New Jersey in 1980.  The opening lyric begin, "I'm looking for a Chateau, 21 rooms but one will do."  Jerry Garcia had a bad drug problem in the early 80's and started cutting back on opiate usage in 1985.  He slipped into a diabetic coma for several days in 1986, so he was lucky not to have shared Belushi's fate by this time.
My Brother Esau
This is a deep cut — so deep that it didn't make it onto the album.  It also didn't make it onto the CD, but was the B-side for the “Touch of Grey” single and made it on the cassette version of “In the Dark.”  It is an updated story of the Biblical tale of Jacob and Esau, set in the Vietnam war era.  It was originally performed in 1983 in Tempe, Arizona.  
Hell In a Bucket
While this song sound smooth and upbeat, the lyrics are dripping with venom towards an ex-lover. While not a single, this song received considerable air play on rock-oriented stations in 1987.  "I may be going to hell in a bucket, baby, but at least I'm enjoying the ride."
 
ENTERTAINMENT TRACK:
“Good Times” by INXS with Jimmy Barnes (from the motion picture “The Lost Boys”)
The movie that started the trend towards young, good looking vampires was released this month with a killer soundtrack.  This one was a cover of a song originally done by The Easybeats
 
STAFF PICKS:
“Painted Moon” by The Silencers
Rob starts off the staff picks with a group from Scotland that formed in London in 1986.  The Silencers have been compared to U2, Big Country, and Simple Minds.  Painted Moon is off their debut album, “A Letter from St. Paul,” and made it to the top of the charts in August 1987.  The Silencers would put out three albums before their popish stile was eclipsed by the grunge movement.
“Detox Mansion” by Warren Zevon
Wayne's staff pick comes from the composer of "Werewolves of London."  If this track reminds you of REM, there's a reason:  REM is the backing band for this song and this album, "Sentimental Hygeine."  The song deals with drug use and recovery.  "Well, its tough to be somebody, and it's hard to keep from falling apart up here on Rehab Mountain we gonna learn these things by heart."
“Girls, Girls, Girls” by Motley Crue
Brian's staff pick is a straightforward elegy to strip clubs.  Motley Crue takes a lyrical journey around the country to reminisce about famous - or perhaps infamous - "gentlemen's clubs" in different U.S. cities.
“Mary's Prayer” by Danny Wilson
Bruce's staff pick is from a Scottish pop group formed by Gary Clark, Kit Clark, and Ged Grimes.  Their originally name was Spenser Tracy, but they changed the name at the last minute under threat from actor Spenser Tracy's estate.  The name Danny Wilson comes from a 1952 Frank Sinatra film.  The song has a lot of religious imagery, but at its root is a story about a boy losing a girl and missing the days when he meant the world to her.
 
INSTRUMENTAL TRACK:
“Pipeline” by Dick Dale and Stevie Ray Vaughan
This instrumental track was from the beach movie "Back to the Beach", and hearkens back to the 60's beach music  Stevie Ray Vaughan and Dick Dale cover this classic tune for the movie.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

It is hard to think of a time in the rock era when Crosby, Stills & Nash were not already a mainstay of the genre, but every rock legend has an origin, and the self-titled debut album first appeared in May of 1969.  It was a near-instant success and one of the harbingers of a turn from blues-oriented rock to more acoustic, folk-oriented rock that would usher in the decade of the 70's.
Crosby, Stills & Nash were a supergroup from their debut.  David Crosby came from The Byrds, Stephen Stills came out of Buffalo Springfield, and Graham Nash was from The Hollies.  Each was a songwriter as well as a vocalist and instrumentalist (Crosby on guitar, Stills on guitar and keyboards, and Nash on guitar).  The addition of Neil Young (who has also previously played with Buffalo Springfield) would come after the album was released.
As you listen to this podcast pay attention to the harmonies in the songs.  That is the calling card for CS&N.  Band members differ on where the trio first sang together.  Crosby and Nash maintain that it was at Joni Mitchell's house, but Stephen Stills insists that he would have been too intimidated to sing at Mitchell's place, and that it was at Cass Elliot's (from The Mamas and the Papas) house!  Either way the harmonies were so good it was clear that they would have to form a group.  
Much of the album is accomplished with multi-instrumentalist Stephen Stills (aka "Captain Many Hands") playing on the tracks, though Crosby and Nash played guitar on songs that they wrote.  You can't duplicate this onstage however, so more instrumentalists had to be brought in for the tour — including Neil Young.  One of their first stops - only their second concert as a group in fact -  would be Woodstock, where they played a set between 3:00 and 4:00 a.m.
Rob brings us this harmonic, folk album.  We hope you enjoy it!
Suite:  Judy Blue Eyes
This song is one of two hit singles from the album.  The song was written by Stephen Stills, inspired by his former girlfriend, Judy Collins.  It is a play on words - “Sweet Judy” and written as a 4-part suite.  The first section is a pop song, the second section is in half tempo (relative to the first section), the third section picks up the tempo and is more poetic, and the fourth section is in Spanish.  
Long Time Gone
This should be a familiar track which is time-stamped from the late 60's.  It was written the night that Bobby Kennedy was killed.  David Crosby wrote this political, counter-cultural work.   “Speak out, you got to speak out against the madness, you got to speak your mind, if you dare.  But don't try to get yourself elected.  If you do you had better cut your hair.”
You Don't Have to Cry
The first song Crosby, Stills & Nash ever sang together is this deep cut.  Stephen Stills wrote this one as a love letter to Judy Collins, trying to convince her to move from New York to California.  “Are you thinking of telephones and managers and where you've got to be at noon?”
Helplessly Hoping
This deep cut was the B-side from the single for “Marrakesh Express” The beautiful acoustic work reminded us of songs like Fleetwood Mac's "Landslide" or Kansas' "Dust In the Wind."  
 
ENTERTAINMENT TRACK:
Everybody's Talking from the motion picture “Midnight Cowboy”
Harry Nilsson performs this Grammy award-winning cover from the first X-rated movie to win an Academy Award for Best Picture.
 
STAFF PICKS:
“Galveston” by Glenn Campbell
Brian's staff pick is one of three songs Jimmy Webb wrote for Campbell (the others being "By the Time I Get to Phoenix" and "Wichita Lineman").  
“Just a Little Bit” by Little Milton
Wayne takes us to the Mississippi delta for some blues.  Ike Turner discovered Little Milton for Sam Phillips at Sun Records.  Little Milton became more famous when he went to Checker Records, a more blues-oriented label.  Little Milton was a prolific blues artist.
“It's Your Thing” by The Isley Brothers
Bruce moves from blues to soul with the first hit from the Isley Brothers after leaving Motown Records.  Ronald Isley wrote the song while dropping his daughter off at school.  It features the lyrics “I can't tell ya' who to sock it to,” an adaptation of  a popular line from the time that originally appeared in Aretha Franklin's “Respect.”
“In-A-Gadda-De-Vida” by Iron Butterfly
Rob finishes off our staff picks with the radio version of the 17-minute psychedelic opus.  Is it heavy metal, is it acid rock?  We can't say, but Songfacts clears up the name as a misnomer.  The title was supposed to be "In the Garden of Eden," but someone wrote the name down wrong and the record label decided to stick with "In-A-Gadda-De-Vida" as an eastern-sounding title.
   
INSTRUMENTAL TRACK:
Theme from "Hawaii 5-0" by The Ventures
Surfs up as we close out this week's podcast with an instrumental from the cop drama which debuted in 1968 and ran for 12 seasons.  The Ventures' version of this song was on the charts this month as a top-5 hit.
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.